Versiones descartadas: conceptos
Lesson time: (1min 58sec)
Paul Whalley explica qué ocurre después de la sesión de composición: tomarte tu tiempo y llevar cada versión hasta el final antes de elegir la definitiva.
Course preview
This lesson is part of the course Produce un temazo de pop
Watch a preview of the full course below.
Lesson transcript:
Welcome Back!
In this section, we're going to look at the writing process of the song and what to do after the writing session with the artist or writer. When you're sitting there trying to work out your ideas, I've found there are three really important things to keep in mind:
1. Take Your Time
- Make sure your ideas are thought out.
- Avoid just throwing things together.
2. See Your Ideas Through to the End
- I usually spend about half a day on each version.
- In total, we spent about three weeks on this whole song to achieve the finished product.
- This approach allows for well-thought-out ideas that might be used in the final version.
- It helps you discover those little parts that, when ready to be used, are there at your disposal.
3. Don't Be Afraid of Discarding Versions
- You might not get it right the first time every time.
- However, because you've adhered to the first two points, taking your time and seeing your ideas through, you may find some gems in the discarded versions that help define the record.
Now, we're going to walk through one of the versions that didn't make the final cut. We'll explore why some parts didn't make it, why we didn't end up using them, and which ideas did end up making the final cut and became important parts of the whole record in the end.
About the instructor

Paul Whalley es multiinstrumentista, productor y compositor con un sonido deliberadamente amplio. Pasó años de gira como músico de sesión con artistas como Mumford & Sons y Ellie Goulding. Con formación clásica, tiene un grado universitario en interpretación instrumental y un Máster en composición por la Guildhall School of Music. Desde que pasó de las giras a la producción y la composición ha trabajado con artistas como NAO, Wretch 32 y Nina Nesbitt, y ha tocado en discos que han entrado en el top 40 de todo el mundo, incluido 'Shout Out to My Ex' de Little Mix. Tiene su base en los Tileyard Studios, al norte de Londres, donde escribe y produce para grandes sellos del Reino Unido y desarrolla a nuevos artistas. En MusicGurus, él y Emmi Green descomponen un disco de pop desde cero —cada decisión de arreglo y producción al descubierto— para compositores y productores que quieran escuchar cómo se construyen realmente los éxitos. read more




