Lección 2 de 7BateríaBeginner

Dando vida al backbeat básico

Cómo variar los golpes de bombo, caja y hi-hat para hacer el backbeat un poco más interesante
Parte del cursoBatería: vuelta a lo básico7 lecciones (1h 6m)

Esta lección forma parte del curso completo. 1 lección es gratis.

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Max SedgleyTu gurúMax Sedgley

Qué incluye el curso

7 lecciones (1h 6m) · 1 gratis
    • 01. El Billie Jean - el "backbeat"

      Lección gratis

      9:39

    • 02. Dando vida al backbeat básico

      Estás aquí

      9:07

    • 03. Fills sencillos

      7:11

    • 04. Duplicar tus golpes de hi-hat

      10:45

    • 05. Mover la caja y las ghost notes

      8:19

    • 06. Darle swing al beat

      10:04

    • 07. Double stroke rolls y paradiddles

      11:51

Transcripción de la lección

Lesson Two: Spicing Up the Basic Beat

Hi there! Max Sedgley here, as part of the MusicGurus.com Back to Basics drumming course. Today is lesson two, and in this lesson, we're going to deal with the beat that we learned in lesson one, which is the most basic beat in popular music.

But we're going to spice things up a little bit and make things more interesting by moving various bits of it around within the bar or groove.

Overview

Today, we'll mainly focus on moving the kick drum around at different points and creating various variations of what we learned last time.

Recap of Lesson One

So what we learned last time, which I hope you've all been practicing, was this:

  • The kick drum is on the 1 and 3.

If I count along, it's:
1, 2, 3, 4.

New Variations

Keeping the Kick Drum

To start with, the first thing we'll try is to keep the kick drum where it is, but also put it underneath when we hit the snare drum.

This means the kick drum will effectively be on every beat of the four:
1, 2, 3, 4. 2, 3, 4.

House Beat Type

This kind of sounds like a house beat.

Important Tip:
When you're hitting the drums, as you did in lesson one, make sure you're hitting them at exactly the right time to avoid creating what we call a flam.

  • Ensure that all three (kick, snare, and hi-hat) are corresponding with each other.
  • It might sound simple, but it's crucial to master this.

Note:
Don't feel pressured to play things too fast. Play at a speed you're comfortable with, where you can ensure everything is evenly spaced and hits at precisely the right time.

Slowing Down to Practice

If you want to slow it down, remember: the slower it is, the easier it is to hear everything happening together.

Alternate Beats

Next, you can go back to the beat that we learned in lesson one and alternate between those two beats for practice.

For example, do one bar of one and one bar of the other, like this:
1, 2, 3, 4, 1, 2, 3, 4.

Adding a Double Kick

Next, we'll add a double kick on beat three, referred to as "beat add".

When counting, you would count:
1, 2, 3, 4. 1, 2, 3, 4.

But if you want to count the eight beats in the same amount of time, count it like this:
1 and 2 and 3 and 4 and.

So, we will keep the kick drum on the 1 and 3 as in lesson one, but also add an extra beat on 3:
1 and 2 and 3 and 4.

Practice Slowly

Let's slow that down a bit:
1 and 2 and 3 and 4 and.

And then put your snare back on 2 and 4.

Another Variation

You can mix this up with the other beats you've learned.

One more variation to try is to remove the kick drum on 3, using the same pattern as before.

So you have:
1, 2, 3 and 4. 1, 2, 3 and 4.

This creates a popular variation found in many modern dance music genres, including breakbeats and drum and bass.

Final Tips

  • When you hit the snare and the hi-hat on the 3, practice keeping everything even.

Key Reminder:
There's a natural inclination to accent or hit harder on that third beat where you're not hitting the kick drum.

To start with, get all the beats on the hi-hat as even as possible. If part of your body is missing out on what it's used to doing, another part might compensate by hitting harder.

Once you have a good grasp of this, you can later introduce accents as you become more comfortable.

And that's basically it for today! Keep practicing!

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Max Sedgley

Max Sedgley

Max Sedgley es un productor, batería y DJ británico con una titulación en música clásica. Sus composiciones han aparecido en numerosos programas de televisión y anuncios, incluida la serie Six Feet Under, y fue el batería del productor de drum & bass Roni Size. También graba bajo el nombre de Cadien.

En sus cursos enseña batería desde cero -el manejo de las baquetas, los grooves esenciales y el patrón de rock de ocho notas- así como los icónicos breaks de batería de los años 60 y 70 que se han sampleado en incontables discos modernos.

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