Duplicar tus golpes de hi-hat

Max Sedgley
Max Sedgley

Lesson time: (10min 45sec)

Dos técnicas para duplicar en el hi-hat y crear una sensación de "16 tiempos" (16 golpes en el compás en lugar de los 8 habituales)

Course preview

This lesson is part of the course Batería: vuelta a lo básico
Watch a preview of the full course below.

Lesson transcript:

Lesson Four: Doubling Up Your Hi-Hat Beats

Hello everyone, Max Sedgley here as part of the musicgurus.com Back to Basics Drumming Lessons. Today is lesson four, where we're going to deal with doubling up your hi-hat beats.

Overview

  • Transition from 8 hi-hat hits in a bar to 16.
  • Two methods of execution depending on your music style.
  • Mastering both techniques will enhance your playing.

Method One: Alternate Hands on the Hi-Hat

  1. Basic Count:

    • Count your four beats: 1, 2, 3, 4.
    • Recall that in lessons one, two, and three, we practiced 8 beats on the hi-hat:
      • 1, 2, 3, 4.
    • In this lesson, we will now perform 16 beats:
      • 1, 2, 3, 4. 1, 2, 3, 4.
  2. Counting Technique:

    • It's helpful to split the count into four groups:

      • Before:
        • 1 and 2 and 3 and 4 and.
      • Now:
        • To fill in those gaps for 16 beats:
        • 1E and A, 2E and A, 3E and A, 4E and A.
    • Example:

      • 1E and A, 2E and A, 3E and A, 4E and A.
    • Understand that when you speed up, verbal counting may become impractical, but the internal count is crucial.

  3. Hand Placement:

    • Use alternate hands:
      • Right hand on the hi-hat, left hand moving to the snare.
    • Example of Basic Beat:
      • Instead of your left hitting it, now your right hand plays the snare:
        • 1e and a 2e and a 3e and a 4e and a.
  4. Practice Tips:

    • Start slowly and gradually build speed.
    • Focus on evenness and coordination between hands.
    • Integrate the kick drum once comfortable, ensuring no flamming occurs.
  5. Additional Techniques:

    • Feel free to incorporate fills and cymbal hits.
    • Experiment with opening and closing the hi-hat.

Method Two: Right-Hand Hi-Hat

  1. Single Stroke Roll:

    • Perform all beats on the hi-hat with your right hand.
    • The single stroke roll is again vital for developing speed.
  2. Practice:

    • Begin slowly, then build up speed.
    • Maintain even spacing:
      • 1e and a 2e and a 3e and a 4.
  3. Adding Components:

    • Once you've got the hi-hat down, bring the kick and snare into play.
    • Understand limitations in speed; switch to the alternate method if necessary.
    • Apply accents to enhance feel:
      • Accent the first and third notes, lower volume on the second and fourth.

Final Thoughts

  • Start by achieving a smooth, even sound at a comfortable tempo.
  • Remember, once you are comfortable with either method, begin incorporating fills and other variations.
  • Familiarize yourself with moving around the kit, enhancing both your technique and performance.

That's it for this lesson. Keep practicing, and you'll develop the coordination and speed needed for effective drumming. Happy drumming!

About the instructor

Max Sedgley
Max Sedgley

Max Sedgley es un productor, batería y DJ británico con una titulación en música clásica. Sus composiciones han aparecido en numerosos programas de televisión y anuncios, incluida la serie Six Feet Under, y fue el batería del productor de drum & bass Roni Size. También graba bajo el nombre de Cadien.En sus cursos enseña batería desde cero -el manejo de las baquetas, los grooves esenciales y el patrón de rock de ocho notas- así como los icónicos breaks de batería de los años 60 y 70 que se han sampleado en incontables discos modernos. read more

What's included?

7 lessons (1h 6m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info