Georgie Fame - Let the Good Times Roll, Baby Please Don't Go (en el Nord)

Joe Glossop
Joe Glossop

Lesson time: (2min 23sec)

Joe Glossop ajusta los drawbars y la percusión del Nord para recrear el sonido de órgano de Georgie Fame en 'Let the Good Times Roll' y 'Baby Please Don't Go'.

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This lesson is part of the course Lenguaje auténtico del Hammond para rock y R&B
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Lesson transcript:

Georgie Fame Solos on the Nord

Introduction

Let's have a look at the Georgie Fame solos on the Nord and see how close we can get.

Drawbar Settings

  • Drawbars:
    • All three out
    • Half of number four
  • Percussion:
    • Third percussion
    • Third harmonic percussion
  • Decay:
    • Soft, fast decay

Pad Setting

For "Let the Good Times Roll":

  • Pad underneath:
    • 8 and 4

Sound Characteristics

  • I think these settings are better for the bulkier, lower sounds.
  • Higher harmonics tend to sound:
    • A little bit fizzy
    • A little bit digital
  • The first four drawbar sounds tend to come out better.
  • The percussion and Leslie effects come together to create a sound that's decently like the real thing.

Amplification

  • Using a valve amp rather than DIing it is preferable.
  • Benefits:
    • Moving air
    • Sound coming from an amp with valves into a mic through the air
  • This approach feels more real and less like a digital sample.

Example: "Let the Good Times Roll"

  • Final thoughts on the song: It's a great representation of the style.

Example: "Baby, Please Don't Go"

  • For this track:
    • Turn the percussion off
    • Consider adding some vibrato
  • The drawbar settings remain similar; the only difference is that the percussion is switched off.

Conclusion

I believe you can pull those sounds off quite well!

About the instructor

Joe Glossop
Joe Glossop

Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T. read more

What's included?

21 lessons (1h 25m)
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