Georgie Fame - I Love the Life I Live, I Live the Life I Love (en el Nord)
Con
Joe GlossopJoe Glossop toca 'I Love the Life I Live' de Georgie Fame en el Nord, ajustando la percusión Hammond y los drawbars para conseguir un sonido de órgano de R&B auténtico.
Qué incluye el curso
21 lecciones (1h 25m) · 1 gratis
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02. The Small Faces - Tin Soldier (análisis)
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03. Deep Purple (John Lord) - Smoke On The Water (interpretación)
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04. Deep Purple (John Lord) - Smoke On The Water (análisis)
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05. Allman Brothers - Whipping Post (interpretación)
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06. Allman Brothers - Whipping Post (análisis)
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Transcripción de la lección
Music Lesson: Percussion Techniques
Introduction: "The last one. Live the life of love, love life I live."
Percussion Technique:
Let's try the percussion on again.
Observations:
- "What have I done there?"
- For this one, I think I'm going to:
- Take the lower manual sound down a little bit
- Maybe take some of the four off
Sound Assessment:
To me, that just sounds a bit thin up there.
- Down there, it would be too low.
You might want to see there.
- "I went for that."
- As I would play it down there, it just sounds too thin.
Addressing Anomalies:
Sometimes you get those kinds of anomalies.
- You think it's just lacking kind of guts a bit.
But you can get pretty close to on this, so I'll stay further down.
- That can be quite handy.
It's quite close to your left hand, so you can nip up there and still be playing a chord.
- "So that works quite well."
Using Drawbars:
So those three, I think you can get very close to.
- If you had a preamp, you could always put those in the Leslie as well.
That gets you a lot closer because you've got that meaty valve amp and also the actual physical movement, which is the whole thing, really.
Conclusion:
But, yeah, those first four drawbars, those kinds of tones, you can get very close.
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Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
