Blues-Tonleiter mit Nonakkorden
Lesson time: (3min 24sec)
Ron Sayer verwandelt die Akkord-Harmonieformen aus den früheren Lektionen in Nonakkorde und verschiebt einen einzelnen Ton, um deinem Blues eine reichere Farbe zu geben.
Course preview
This lesson is part of the course Über den Tellerrand 2: Und raus mit dir!
Watch a preview of the full course below.
Lesson transcript:
Chordal Harmony and Ninth Chords
Well, hello there!
Hopefully, you enjoyed that last lesson on chordal harmony and moving around a blues scale. If you did enjoy the lesson, this one hopefully will make you smile as well.
Introducing Ninth Chords
Basically, it's a very, very similar concept:
- Instead of using that chordal harmony chord, you're going to move one of the notes up.
- It's only one note that changes, but it becomes a ninth chord.
If you remember a few lessons ago, we looked at sliding sixth to ninth chords. This concept is sort of a mixture between both of those lessons.
Playing the A9 Chord
Here's what you're going to do:
- Play the ninth chord by positioning your fingers as follows:
- Fifth fret on the D
- Fourth fret on the G
- Fifth fret on the B
- Fifth fret on the E
So, there's our A9 chord.
Using the Blues Scale
The same concept applies:
- You'll be playing a blues scale, and your top note is the one you need to watch.
- Follow the top note while playing a blues scale in ninth chords over the top.
It sounds slightly different from the previous lesson using the stack nine or chordal harmony, but it has a definite flavor to it.
Jamming It Out
Okay, let's have a little go and jam over that then.
- Same thing: Vamp on the A.
- Count: 1, 2, 3.
That's some idea of ways you can have fun with this!
Practical Application
It's something that you can use when playing:
- A slow blues
- Some kind of funky groove
It always sounds quite nice if you're actually coming down to play that. It's not one that really suits blasting away, but if you have a section in the song where you bring it down, it always works spooky.
Okay, hope you enjoyed that!
About the instructor

Ron Sayer ist ein Gitarrist für Gitarristen auf der britischen Blues-Szene und Mentor von Spielern wie Oli Brown und Sol Philcox. Er wurde viermal für die British Blues Awards nominiert - für das Album 'Better Side', die Single 'Don't Make Me Stay' und seine Mitwirkung als Co-Autor bei Oli Browns 'Here I Am' - und hat den Preis als Guitarist of the Year gewonnen. In seinen Kursen schlüsselt er das Phrasing, den Ton und das Feeling hinter dem elektrischen Blues-Leadspiel auf. read more




