Spuren einrichten & Signal-Routing in Ableton Live
Mark Burnett zeigt, wie er in Ableton Live Spuren organisiert und Audiosignale routet, damit seine externen Instrumente und Controller zusammenspielen.
Das steckt im Kurs
16 Lektionen (2h 26m) · 2 gratis
01. Das Equipment aufbauen
1:29

02. Vorstellung der Instrumente
Gratis-Lektion5:44

03. BONUS - Ein externes Instrument (Korg Volca Beats) in Ableton von Grund auf einrichten
Gratis-Lektion12:51

04. Verkabelung, MIDI und analoges Audio-Routing verstehen
4:01

05. MIDI- & Audio-Einstellungen in Ableton einrichten
10:44

06. Spuren einrichten & Signal-Routing in Ableton Live
Du bist hier6:46

07. Externe Instrumentenspuren in Ableton Live einrichten
8:33

08. Eine Mikrofonspur in Ableton Live einrichten
6:09

09. Thru-Tracks und Looper einrichten
9:08

10. Die Geheimwaffe des Sets – Movers and Shakers
8:08

11. Ausgangsrouting & Master-FX
13:36

12. MIDI-Mapping, Racks & Macros (Teil 1)
14:16

13. MIDI-Mapping, Racks & Macros (Teil 2)
12:35

14. Delay-Spur und Delay-Zeiten
3:33

15. Programmwechsel & externe Instrumente
7:11

16. Set-Inhalt und Performance-Technik
21:23
Transkript der Lektion
Setting Up Your Devices in Ableton Live
Right. So, assuming that you've managed to connect all your various devices and controllers to Live, and you've set the preferences up so that you're receiving and transmitting information on the right channels, the next step is to get them working within the tracks in Live.
Overview of the Track Setup
Let's take another look at the screen to see where those routing selection options are and how we set it up. I'm using a combination of different approaches depending on the instrument and what I'm trying to achieve from it.
Track Breakdown
Starting from the very top, the first track in my set is labeled Rhythm. This tracks core rhythmical components.
- Rhythm Track Components:
- Kick Drum: Triggered from inside Ableton Live (audio sample).
- Bass Part: Audio from within Ableton Live.
- Rhythm Clips: A bunch of clips labeled "off" and "on" to mute and unmute the rhythm channel.
The purpose of these clips is to automatically deactivate or activate audio at specific moments during my performance. This is necessary because it's the only device running on its own internal sequencer.
Routing and the I/O Panel
To see where all this routing is happening, we need to open up the I/O Panel. Simply click on the small I/O button in the center right of the screen. This opens a window with various dropdown boxes.
- It may look complicated, but the most important thing is recognizing where we are bringing signals from.
Audio Routing
The first two tracks under the rhythm group are just audio from inside Live, which is a straightforward process. Triggering the sounds from the engine comes out of the sound card.
Using the External Instrument Device
For the rhythm track, I've inserted one of Ableton Live's external instrument devices. This allows me to assign where I'm sending some MIDI information and where I'm getting audio back from. With everything set in the preferences, when I trigger sounds on the analog rhythm, the signal comes in, and the audio flows into the mix.
- MIDI Information: I'm sending start/stop messages, which tell the rhythm sequencer when to start and stop.
- Testing the Setup: Upon pressing Play, the engine runs, and audio returns to the track. Stopping it will also stop the sequence.
Exploring the NORD Track
Looking at the NORD track (track two), we see MIDI clips. Here's how it works:
- MIDI Pattern: A sequence of zero notes is played from inside Live, sending MIDI into the NORD to create sound.
- Audio Return: The sound comes back into the computer via the external instrument device.
External Instrument Device Functionality
In the NORD track, the external instrument is key for:
- Sending MIDI information (e.g., to MT4 port 3).
- Receiving audio back into audio channel 3.
As I play notes from inside the set, the audio comes back, confirming the connection.
Similar Setup for Other Devices
I'm using the same external instrument approach for both the Roland 505 and the Volker Beats, sending notes out and receiving audio back in.
By using these techniques, you can effectively manage your devices and ensure a smooth performance workflow in Ableton Live.
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Mark Burnett ist ein Ableton Certified Trainer, der seit über 14 Jahren mit Ableton-Produkten arbeitet. Als Produzent und DJ bei Funk'n Deep Records liefen seine Tracks auf großen Festivals sowie in Sets und Podcasts von Künstlern wie Carl Cox und Richie Hawtin, und er hat vor Tausenden von Menschen gespielt. Außerdem veranstaltet er große Events wie das Workhouse Project und studierte am Imperial College London. Sein Kurs behandelt den Einsatz von Ableton Live zum Aufbau von Live-Performances und eignet sich für Produzenten und Performer im Bereich elektronischer Musik, die ihre Show aus dem Studio auf die Bühne bringen möchten.












