Legato

James Barratt
James Barratt

Lesson time: (8min 47sec)

James Barratt bringt dir Legato auf der Gitarre bei und nutzt Hammer-ons und Pull-offs auf leeren und gegriffenen Noten, um flüssig zu spielen, ohne jede Note anzuschlagen.

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This lesson is part of the course Grundlagen der Rock-Gitarrentechnik
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Lesson transcript:

Left Hand Technique: Legato

We're going to move on now to a left hand technique, specifically a style of playing called legato. In guitar, legato comprises two main techniques:

  • Hammer-ons
  • Pull-offs

Hammer-ons

A hammer-on occurs when we play a lower pitch note, pick it, and then transition to a higher pitched note.

  • For example, if we're playing the third fret from open E:
    • Normally, we pick the E note.
    • In legato style, we pick the E and then use our left hand to hammer onto the fretboard without picking with our right hand.

This technique gives you a much smoother sound over the course of a lick, making it very different from picking every note.

Pull-offs

Conversely, a pull-off is the opposite of a hammer-on.

  • In this case:
    • We pick the higher pitch note (like the third fret) and then use our left hand to pull off, often to an open string.
    • For example, we pick the third fret and pull off to an open E.

E Minor Pentatonic Scale

Next, we'll use the framework of the E minor pentatonic scale. This scale should be familiar to you.

  • Instead of picking every single note:
    • Hammer-on to the second note on the way up.
    • Pull-off to the second note on the way down.

This will give you a different sound that's commonly used in guitar playing.

Notation for Hammer-ons and Pull-offs

In tablature, hammer-ons and pull-offs are shown by:

  • A little bracket between the two notes.
  • Alternatively, you might see a small H for hammer-on or P for pull-off.

Advanced Technique: Fretted Notes

Now we're going to take this a step further and apply hammer-ons and pull-offs but with only fretted notes.

  1. Starting on the third fret of the B string, we will hammer on and pull off between two fretted notes.
  2. For example, we'll hammer on from the third fret on the B string with our third finger, then proceed to do the same on the next string.

Practice Routine

  • We should duplicate that to get a full bar, counting 1 and 2 and 3 and 4.
  • In the second bar, we'll practice going from hammer-ons to pull-offs.
    • For this, we'll pick the last note (the A) and pull off to a fretted note.

Key Tips:

  • For pull-offs, it's essential to have two fingers on the same string to prepare for the pull-off.
  • Common Misconception: It's easy to assume that "pull off" means pulling upwards. Instead, you should pull off to the side to generate the necessary energy that your right hand would have provided with the pick.

Exercise Caution

  • When practicing on middle strings, be careful to avoid accidentally fretting an open string while pulling off.
  • A common mistake is catching your pull-off finger on the next string down.

Extra Exercise

Here's a great exercise to improve your accuracy with hammer-ons and pull-offs:

  1. Make sure your placements on the frets for the hammer-ons are crisp.
  2. For the pull-offs, think of it as flicking an elastic band onto the back finger.
  • Remember to pull off to the side, not outwards!

Volume Consistency:
Aim to maintain an even volume across your notes. You don't want a loud pick note followed by a very quiet hammer-on or pull-off. Strive for an even dynamic throughout your playing.

Increasing Difficulty

Now, let's take it up a notch with a new exercise.

One String: Hammer-ons and Pull-offs

We'll perform the following exercise only on one string:

  1. Fingering: Line your fingers up on frets 5, 6, 7, and 8, with each finger on its respective fret.
  2. Picking: Only pick the very first note of this exercise. The volume for the rest of the lick must come from hammer-ons and pull-offs.

Performing the Exercise:

  • Start by picking the note with your little finger at the eighth fret on the E string.
  • Pull off to the first finger (third fret).
  • Hammer on back up to seventh and then to eighth fret.

Reverse the Process:

  • Pull off to the third finger and finally to the first finger again.

This lick is self-sustaining; once you've initiated it with your right hand, you can keep going using just hammer-ons and pull-offs.

Final Thoughts

Start this exercise slowly to ensure accuracy and gradually increase speed as you gain comfort. It's an excellent workout for finger strength and precision! Good luck, and have fun!

About the instructor

James Barratt
James Barratt

James verfolgt seit seinem Abschluss an der Academy of Contemporary Music im Jahr 2007 eine erfolgreiche Karriere als hauptberuflicher Musiker. Seither hat er mit Künstlern und Produzenten von Stereophonics, Ronnie Dunn, Scissor Sisters und vielen anderen zusammengearbeitet. Außerdem komponiert er Musik für Fernsehen und Film, etwa für den Fernsehspot 'Music Pieces' von Sony Walkman und den Trailer zum Film Albatross. Er bezeichnet sich selbst als eine Art Purist, einen Musiker für Musiker, und diese Herangehensweise an seine Kunst hat die Aufmerksamkeit großer Unternehmen und TV-Produzenten geweckt. Dank seiner natürlichen Vielseitigkeit als Künstler ist James in Sendungen wie 'Geordie Shore' und sogar in Werbespots der British Heart Foundation zu hören. Wie er selbst sagt: „Das beste und häufigste Kompliment, das ich bei Sessions für Kunden bekomme, ist, dass ich das spiele, was für die Musik 'richtig' ist. Oft läuft alles auf Schlichtheit hinaus.“ „James ist das Wahre. Großartiger Spieler, umwerfender Ton, und ich würde ihn ohne zu zögern für jedes Projekt empfehlen. Rock on, James!“ - Joey Sykes (Meredith Brooks / Will Champlin / The Babys) In Foundations of Rock Guitar Technique gibt James genau diese Philosophie weiter und zeigt dir, wie du eine solide, musikalische Rockgitarrentechnik aufbaust und das spielst, was für den Song 'richtig' ist. read more

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14 lessons (2h 12m)
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