Fallstudie - Dovs Track Witches' Whisper
Lesson time: (3min 22sec)
Eine Fallstudie zu Dov Watermans Horror-Trailer-Track 'Witches' Whisper' – wie er das Projekt vorbereitet, ein Template gebaut und mit Sounddesign etwas Raues und Dunkles geschrieben hat.
Course preview
This lesson is part of the course Komposition in Logic: der Schreibprozess
Watch a preview of the full course below.
Lesson transcript:
Welcome to Today's Session
Overview
Today, we're diving into the creative writing process. We'll explore various aspects and practical work with a couple of my tracks. This includes:
- Prepping a track
- Creating and working on a template
- Saving channel strips
- Choosing the right instruments for specific genres and tracks
Track Example: Witches Whisper
Let's look at one of my tracks titled "Witches Whisper."
- This track was pitched for a horror film called Witches a few years back.
- The brief I received was to make it as gritty and scary as possible. Interestingly, I received the brief before the film was completed, so I wrote the music first, and then the trailer cut to the track I had written.
Creative Approach
I approached this track by:
- Avoiding normal tropes of melody and harmony
- Viewing music as a color palette: light versus dark
- Considering high, mid, and low sounds
- Utilizing sound design and found sounds (e.g., dogs barking, clanging metal)
Despite these experimental elements, there is a musical feel to the track, with many orchestral components, including strings that add a melodic quality.
Structure and Genre
While the track may seem devoid of traditional melodic structure, it aligns with the horror genre I was writing for.
Tips for Working in Logic
As I navigate through the session, here are a couple of helpful tips regarding Logic's new zoom buttons:
- These functions are great for getting an overview of your project.
- If you've zoomed in significantly and wish to zoom out quickly, you can use the zoom buttons rather than clicking multiple times to adjust your view.
The Creative Process
The creative writing process is very visceral. Based on my experience:
- When I'm in the creative zone, things can become quite higgledy-piggledy.
- It's an experience that isn't always easy to articulate or grasp tangibly.
Let's continue by exploring these concepts further!
About the instructor

Dov Waterman ist Komponist, Pianist und Produzent. Er hat für Filme wie After Earth, Terminator Genisys, Transformers: The Last Knight und The Snowman Musik geschrieben und das Sounddesign gestaltet und arbeitet als Audio-Editor für Sample-Bibliotheken und Sounddesigner mit Firmen wie Native Instruments und SonoKinetic.Seine Reihe Composition in Logic geht den Aufbau eines Tracks von Anfang bis Ende in Logic Pro durch – von Templates und Workflow über Synthese und Beat-Programmierung, MIDI-Effekte, Editing bis zum finalen Mix – für Produzenten, die ihre Ideen in fertige Tracks verwandeln möchten. read more




