Lektion 5 von 9MusikproduktionIntermediate

Kreative Automation

In dieser Lektion wird Dov kreativ mit der Automation, automatisiert einen sphärischen Panner, die Release-Zeit eines der Track-Elemente sowie Anstiege bei Lautstärke und Reverb.

Teil des KursesKomposition in Logic: der Schreibprozess9 Lektionen (0h 51m)

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Dov WatermanDein GuruDov Waterman

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9 Lektionen (0h 51m) · 1 gratis
    • 01. Willkommen zum Kurs & Dovs Sicht auf Kreativität

      3:29

    • 02. Einführung in den Schreibprozess

      0:23

    • 03. Fallstudie - Dovs Track Witches' Whisper

      3:22

    • 04. Kreativität beginnt mit einer guten Vorlage

      Gratis-Lektion

      5:08

    • 05. Kreative Automation

      Du bist hier

      6:20

    • 06. Kreatives Sounddesign und mehr Automation

      15:23

    • 07. Mit Orchester-Sounds arbeiten

      4:09

    • 08. Mit Synth-Elementen arbeiten

      12:15

    • 09. CHALLENGE #1: SMART CONTROLS & AUTOMATION

      0:55

Transkript der Lektion

Music Lesson on Automation Techniques

Introduction to Automation

In terms of automation, there is a mix of basic and creative approaches:

  • Basic Automation

    • Volume
    • Panning
  • Creative Automation

    • Filters
    • Effects
    • Creative panning

Example Sound Creation

I had great fun creating this little sound, which I'll play for you in a second.

That was a greatly processed, cut-up, and mixed layered sound of animals pitched down. I did a lot of sound design on this and, obviously, lots of effects. If I just play it without the effect, you can kind of hear what's going on.

  • I've bounced this down and used several different samples from various sample libraries.
  • I even took recordings of our dog barking and mangled that sound.

Key Features

The main feature of this sound is the panning and how it moves around your head, creating a quite scary effect.

  • I used the multi-panner spherical panner in Logic, as it provides binaural panning.
  • This panning mimics what is closest to your ears from left to right.

You don't hear it as much in stereo, but if you're recording and mixing in surround with a multi-monitor setup, this really comes into play.

Modulating Pan and Levels

  • If I'm modulating the pan, it changes both the pan and levels together, allowing for movement in the soundspace.
  • There's a lot of sound design involved here, utilizing samples, audio, and live recordings from various software synths.

Subtle Automation Example

Another example of automation is found in a subtle hit sound from Prism, a Native Instruments sound bank.

  • I applied subtle automation on the release time of one of the elements, creating a nuanced sound.

This subtlety adds intensity, especially in the context of other hits and booms within the track.

Genre Dynamics

This track begins from nothing as a trailer typical of the horror and action genres.

  • I've gained a reputation for crafting industrial hybrid sounds.
  • While there is a formulaic structure, starting off and building to a big climax, there's also room for dynamic expressiveness.

Enhancing Expressiveness

To add expressiveness, a lot of automation is used, including:

  • Volume automation
  • Reverb automation
  • Rises produced by these automations

Practical Demonstration

For example, let's check the piano in the keys section.

  • I'll solo this out for a moment so you can feel what's going on.
  • I'm using a controller keyboard with a transport section that includes functions for looping and starting playback.

This showcases just the synth work, key sounds, and my piano.

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Dov Waterman

Dov Waterman

Dov Waterman ist Komponist, Pianist und Produzent. Er hat für Filme wie After Earth, Terminator Genisys, Transformers: The Last Knight und The Snowman Musik geschrieben und das Sounddesign gestaltet und arbeitet als Audio-Editor für Sample-Bibliotheken und Sounddesigner mit Firmen wie Native Instruments und SonoKinetic.

Seine Reihe Composition in Logic geht den Aufbau eines Tracks von Anfang bis Ende in Logic Pro durch – von Templates und Workflow über Synthese und Beat-Programmierung, MIDI-Effekte, Editing bis zum finalen Mix – für Produzenten, die ihre Ideen in fertige Tracks verwandeln möchten.

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