Piano break no.2
Lesson time: (6min 15sec)
Paddy Milner breaks down the second left-hand 'break' from the tune, a G arpeggio played in octaves with chromatic approach notes added before each beat.
Course preview
This lesson is part of the course Play Authentic Blues Shuffle Piano
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Exploring Breaks in the Tune
Let's look at the second break I did in the tune, which went something like this: a three, four, something like that.
I don't think the right hand I just demonstrated was exactly what I did on the recording from before, but let's examine what's going on anyway.
Left Hand Technique
The left hand is simply going up a G arpeggio, but with semitones added before those notes. Here's what to keep in mind:
- Octaves: Play the arpeggio in octaves.
- Practice: Make sure to get that down in your left hand as solidly as possible before attempting to do something with the right.
Right Hand Variability
Now, what was I doing in the right hand? I was exploring various techniques:
- Trill: I could have been looking at that trill again, which involves trilling around the B on a G7.
- Anchor Point: I didn't mention this in the last video, but using that B as an anchor is key.
- Rotate the wrist and keep it all nice and loose. That's the idea.
Creative Practice Ideas
Here are some creative and practical things you could try to develop independence between the left and right hands:
- Simple Right Hand Patterns:
- For practice, just play crotchets, quarter notes, or eighths.
- You could also try something like this:
- Variation 1: Simple steady bass with variations on top.
- Variation 2: Add some syncopation or different rhythms to lead to creative explorations.
Additional Ideas
-
You could base your right hand on what we did before and try something in six to shake things up.
-
Incorporate Riffs:
- Add one of the riffs we looked at earlier, such as:
- Example: "Three, four" rhythm.
- Add one of the riffs we looked at earlier, such as:
-
Albert Ammons Style:
- You could also mimic the Albert Ammons style from Suitcase Blues:
- Experiment with:
- Rolling patterns or repeated notes with some rolls.
- Experiment with:
- You could also mimic the Albert Ammons style from Suitcase Blues:
Summary
- Break it Down: Consider doing something less intense in the right hand:
- Something maybe a bit lighter that could work quite well.
Just remember to keep your left hand really solid while trying out your own ideas. Let's move on and look at some other topics!
About the instructor

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'. He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club. His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album. "I love it... there's a guy who can really play the piano" - Dave Brubeck "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce "The best blues piano player in Europe..." - Blues Access, USA "Impressive & original" - The Times "Dazzling" - The Independent Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business. read more




