Lesson 44 of 50GuitarBeginner

Overload

6:11

Play Overload, a rock band piece built on power chords (A5, D5, E5) and riffs, written to jam through with bass, drums or piano.

Part of the courseGuitar Method: Indie & Hip-Hop50 lessons (1h 52m)

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What's in the course

50 lessons (1h 52m) · 1 free
    • 01. Overload

      You are here

      6:11

    • 02. Overload (performance)

      0:50

    • 03. Slam

      4:45

    • 04. Slam (performance)

      0:52

    • 05. Under The Radar

      5:26

    • 06. Under The Radar (performance)

      0:51

Lesson transcript

Music Lesson: Band Pieces

Introduction

Congratulations on getting through those six pieces! We've learned six full songs in six different styles of music.

The next three pieces we have for you are band pieces. If you know anyone learning from the Rock School method (piano, bass, or drums), try to get together and jam through these last three.

We'll be learning some more riffs, more songs, and putting our skills to the test. It's going to be a lot of fun and a great way to finish.

Let's get into it!


First Piece: Overload

The first of the band pieces we're learning is Overload. This is a rock-inspired tune, so make sure you:

  • Put your amp on the distorted mode or turn the gain up.
  • Use the bridge pickup by pushing the pickup selector all the way down or all the way to the right.

Intro to Overload

The song starts off with power chords: A5, D5, and E5. We've seen these before, and we'll play these using our first finger with the finger per fret method.

  • A5 chord: Two quarter notes.
  • D5 chord: Go straight down a set of strings.
  • E5 chord: Jump over a set of strings to play the second fret on the A string.

This may take some time to get comfortable, so try going: D E, D E.

We're finishing off bar four with an A5 chord, lasting for two beats each (two half notes).

Practice the First Line

Let's give that first line a go:

Count: 1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, FOUR.


Line Two: Melody

In line two, we get into the melody. The rhythms aren't too difficult‚ quarter notes and half notes.

We're focusing on correct fingering:

  • Start with the open A string
  • Middle finger on fret three (C)
  • D going to an E (D string, 2nd fret with the first finger)
  • End with the open A string

Practice the First Two Bars of Line Two

Let's try it:

Count: 1, 2, 3, 4.
1, 2, 3, four.
1, 2, 3, FOUR.

In bar three, we start with a half note (E, 2nd fret on the D string).

Playing Sequence

  • Open D to the 3rd fret on A string (C) with the middle finger.

Finishing off this line with an open D string going to E (2nd fret) and finally playing an open A. You'll notice this phrase is the same as bar two on line two.

Complete Line Two

Here's line two:

As always, pause the video, review any bars you need to, and when you feel confident, let's play it through together.

Count: 1, 2, 3, 4.


Line Three: Continuation of the Melody

On line three, we continue our melody:

  • Bar one: Open A string twice going to G (3rd fret on the E string) and back to the A string.
  • Bar two: Open A string and C (fret three on the A string), followed by open A again.
  • Bars three and four: 2nd fret on the D string (E) for two beats, open D, then C (3rd fret on A string).

Finishing off this line with an open D string going to the 2nd fret (E) and ending with an open A. Again, this is the same phrase that finishes line two.

Practice Line Three Slowly

Here's line three really slowly to play together and get comfortable:

Count: 1, 2, 3, 4.


Line Four: Theme Continuation

Moving on to line four, the theme continues. The bottom line is similar to the first, with the final bar changing:

  • Last Bar: A5 chord for one beat followed by a quarter note and a half note rest (three beats of silence).

Important Tips

  • When playing power chords, ensure you only strum the notated strings (E and A).
  • Avoid strumming unwanted open strings to keep the chord clear.

When you're plucking, look down to avoid playing any unwanted strings, and remember:

  • The power comes from the amp and the overdrive, not from strumming harder.

Final Practice

When you've got those four lines comfortable, come and join me in the backing track, and we'll try to play this from start to finish.

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Meet your guru

Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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