The right hand melody of the 'A' section

With
Tom SealsTom Seals breaks down the right-hand melody of the A section of Duke Ellington's 'Don't Get Around Much Anymore' on swing piano.
What's in the course
23 lessons (1h 39m) · 1 free
01. Intro to Jumpin' At The Woodside
1:19

02. The right hand melody of the 'A' section
Free lesson1:19

03. The left hand of the 'A' section
8:09

04. Practice the 'A' section with Tom
3:31

05. The 'B' section on the right hand
6:48

06. The 'B' section of Jumpin' At The Woodside on the left hand
1:23

07. Practice the 'B' section with Tom!
3:17

08. Practice Jumpin' At The Woodside with Tom
4:16

09. Comping with the right hand
6:17

10. Ideas for embellishment
7:05

11. Jumpin' At The Woodside performance
2:08

01. The right hand melody of the 'A' section
You are here5:13

02. The left hand of the 'A' section
5:31

03. Adding the 'horn lines' in
9:22

04. The 'B' section on the right hand
4:56

05. The 'B' section on the left hand
9:17

06. Practice Don't Get Around Much Anymore with Tom
6:18

07. Tips for improvisation
1:38

08. Solo ideas
5:47

09. Don't Get Around Much Anymore Performance
3:11
Lesson transcript
Don't Get Around Much Anymore - Music Lesson
This tune is Don't Get Around Much Anymore, the Duke Ellington standard. My grandad's big band used to play this song, and it's been in my set forever now. I've been so lucky over the past few years to have played with some incredible people.
Most recently, off the back of my Sky TV show, Anton Du Beke, Strictly Come Dancing judge, joined me on stage and sang this song with me. So, it's been a very special song to me. Like I say, my grandad's band used to play it, and now it's in my set. I sang it at Ronnie Scott's with some incredible people.
Introduction to the Tune
Anyway, I can't wait to teach you this tune. It's called Don't Get Around Much Anymore. It's got so many places you can go with it. One of my favorite things about it is the chromatic line in the middle, which replicates the horn section of a big band. It can be as simple or as complicated as you want it to be.
A Section - Vocal Line
Let's get stuck into it. We're going to start right at the top with the A section, the vocal line.
Lyrics Breakdown
- The line is: Missed the Saturday Dance
Notes for the Line
- The notes are as follows:
- E, D, C (5, 4, 3 in terms of fingers)
- Followed by: E, D, C, G, F, E
Finger Pattern
- Get that into your fingers: Five, four, three.
- Then: Three, two, one.
So it sounds like:
Ba ba doo da da da
- Then it does it again with the second line:
Missed the Saturday Dance.
Heard they crowded the floor
(Exactly the same line, repeat twice)
Next Lines
-
The next line: Couldn't bear it without you
- Notes: G, F, E, D, C (all the way down)
-
Singing along helps with the melody:
Couldn't bear it without you
ba ba da ba da
Jumping Octaves
Then we're going to jump up an octave.
- From our thumb on C to our little finger on C:
- Notes: G, F, E, D, C, C, A
- With the last line.
Entire A Section Rhythm
From the top (1, 2):
- E, D, C, G, F, E
- The line (if you like singing along in your head):
Missed the Saturday Dance
Heard they crowded the floor
Couldn't bear it without you
Chromatic Section
Now it gets nice with a few jazzy chromatics:
- E, F, F sharp, G, C, E flat, E, C
Repetition:
Don't get around much anymore
- Again: E, F, F sharp, G, C, E flat, E, C
Finger Placement for Chromatics
- Third finger on E
- Fourth finger on F
- Fourth finger up to F sharp
- Little finger on G
- Thumb on C
- Third finger on E flat
- Third finger down to E
- Thumb on C
Tempo
At tempo, that's:
Don't get around much anymore
Complete A Section
So, the whole A section:
Missed the Saturday dance.
Missed the Saturday dance.
- Again (1, 2, 3, 4):
One miss.
And that's the A section, the right hand complete.
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Meet your guru

Meet your guru
The mantle of UK Piano Man has long been held by Elton John, Jools Holland and Jamie Cullum. Over the past five decades no one else has come remotely close - until now!
Fresh from his sell-out "Let The Good Times Roll" tour, Tom Seals - "quite possibly the future of jazz and blues" - has the world at his fingertips. His virtuoso soloing, excellent improvisation skills and distinctive voice have led top industry figures to hail him as the UK's finest boogie woogie and blues pianist and vocalist.
Still in his mid-twenties, Seals has already played sold-out shows across the globe, including London's legendary Ronnie Scott's, a stunning performance at Birdland Jazz Club on Broadway in New York, and work alongside Jools Holland.
Notable appearances include:
- Cheltenham Jazz Festival's 'Gregory Porter & Friends'
- Jools Holland's 'Boogie Woogie & Blues Spectacular'
- Birdland Jazz Club, New York City
- British Summer Time - Hyde Park
- Ronnie Scott's Jazz Club
- Gisburne Park Pop-Up
- Montreux Jazz Festival
- Cropredy Festival
- The Steinway Two Pianos Festival
- Glastonbury
- Newark Showground "Drive-In"
- Blenheim Palace
In his course, Tom throws open the secrets behind his playing - showing you how to swing standards at the piano, build authentic boogie woogie and blues lines, and find the freedom to improvise, so you can become the ultimate Piano Man yourself.
You can read Tom's full biography at www.tomseals.co.uk.















