Practice Don't Get Around Much Anymore with Tom

With
Tom SealsPractise 'Don't Get Around Much Anymore' with Tom Seals - work the right and left hands separately, then bring them together.
What's in the course
23 lessons (1h 39m) · 1 free
01. Intro to Jumpin' At The Woodside
1:19

02. The right hand melody of the 'A' section
Free lesson1:19

03. The left hand of the 'A' section
8:09

04. Practice the 'A' section with Tom
3:31

05. The 'B' section on the right hand
6:48

06. The 'B' section of Jumpin' At The Woodside on the left hand
1:23

07. Practice the 'B' section with Tom!
3:17

08. Practice Jumpin' At The Woodside with Tom
4:16

09. Comping with the right hand
6:17

10. Ideas for embellishment
7:05

11. Jumpin' At The Woodside performance
2:08

01. The right hand melody of the 'A' section
5:13

02. The left hand of the 'A' section
5:31

03. Adding the 'horn lines' in
9:22

04. The 'B' section on the right hand
4:56

05. The 'B' section on the left hand
9:17

06. Practice Don't Get Around Much Anymore with Tom
You are here6:18

07. Tips for improvisation
1:38

08. Solo ideas
5:47

09. Don't Get Around Much Anymore Performance
3:11
Lesson transcript
Music Lesson
Overview
So now let's put both sections together. We know the A section, we know the B section.
Form of the Song
Don't forget the form of this song is A, A, B, A:
- A section twice
- B section once
- Finish with an A section at the end
Right Hand Practice
Now, let's split it up once again.
- You do the right hand.
- I'll play the left hand along with you.
Get the right hand down, then we'll switch.
You ready?
- Start on the E on the one.
- So, one, a, two, a.
- One, two, three, four.
- One: E, D, C, G, F, E.
Okay, you ready?
- One, two, a.
- One, two, three, four, one.
B Section
Okay, we're going to the B section now.
- Okay, great.
- Now let's do it again.
- I will play the right hand; you take the left hand.
- Eventually, we'll put them together.
So, I'll take the right hand. You're on left hand duties.
Count:
- 1, 2, 1, 2, 3, 4, 1.
Chords
- F6 chord now.
Okay, great. Now I'll put the two hands together.
- Together.
- And you can slow this down.
- Hopefully, it'll sound something like this: F7.
Ending the Song
Now, of course, we need a way to finish.
There are many different endings that we could use.
Classic Ending
Let's say we've gone:
da, bada, bada, bada. Don't get around much anymore.
Let's go with this classic big band and swing ending:
- Don't get around much anymore.
- Then we're going to move both hands up the piano.
Okay, so we're going to go:
- Don't get around much anymore.
This is the ending that we're going to do.
Finger Placement
- Third finger on the E up here (left hand).
- Second finger on E.
- Little finger on C.
So you've got E, E, and C.
Sequence:
- Move every single note up from E (with your second finger) chromatically: to F, F#, and then G.
Left Hand
And that's it! Then your left hand is going to go all the way down the piano and just hit a C.
Simple as that!
Performance Tempo
At tempo, it sounds like this:
- Don't get around much anymore.
Once again, that would be:
- E and C,
- F and C,
- F# and C,
- G and C.
Then a C right down at the bottom just to finish.
Showmanship
For a bit of showmanship, when I'm doing that with the band and we hit that last note, I always do this.
You need to get that! Are you ready?
- So we go: ba ba da, ba da ba da.
And that's it! We've ended the song.
23 lessons
1h 39m of structured video lessons
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Meet your guru

Meet your guru
The mantle of UK Piano Man has long been held by Elton John, Jools Holland and Jamie Cullum. Over the past five decades no one else has come remotely close - until now!
Fresh from his sell-out "Let The Good Times Roll" tour, Tom Seals - "quite possibly the future of jazz and blues" - has the world at his fingertips. His virtuoso soloing, excellent improvisation skills and distinctive voice have led top industry figures to hail him as the UK's finest boogie woogie and blues pianist and vocalist.
Still in his mid-twenties, Seals has already played sold-out shows across the globe, including London's legendary Ronnie Scott's, a stunning performance at Birdland Jazz Club on Broadway in New York, and work alongside Jools Holland.
Notable appearances include:
- Cheltenham Jazz Festival's 'Gregory Porter & Friends'
- Jools Holland's 'Boogie Woogie & Blues Spectacular'
- Birdland Jazz Club, New York City
- British Summer Time - Hyde Park
- Ronnie Scott's Jazz Club
- Gisburne Park Pop-Up
- Montreux Jazz Festival
- Cropredy Festival
- The Steinway Two Pianos Festival
- Glastonbury
- Newark Showground "Drive-In"
- Blenheim Palace
In his course, Tom throws open the secrets behind his playing - showing you how to swing standards at the piano, build authentic boogie woogie and blues lines, and find the freedom to improvise, so you can become the ultimate Piano Man yourself.
You can read Tom's full biography at www.tomseals.co.uk.















