Lesson 12 of 25ViolinIntermediate

More double stops: Cheatem County Breakdown

4:06

Tackle double stops on the fiddle through Cheatem County Breakdown, drawing on Arthur Smith's second-over-fourth-finger style and its syncopated feel.

Part of the courseIntroduction to Country & Bluegrass Fiddle25 lessons (1h 30m)

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What's in the course

25 lessons (1h 30m) · 1 free
    • 01. The Georgia Shuffle

      5:42

    • 02. Whiskey Before Breakfast (Performance)

      0:44

    • 03. Double stops Wednesday Night Waltz

      8:34

    • 04. Wednesday Night Waltz (Performance)

      0:54

    • 05. More double stops: Cheatem County Breakdown

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      4:06

    • 06. Cheatem County Breakdown (Performance)

      0:44

    • 07. Singing Cowboys: Yellow Rose of Texas

      5:34

    • 08. Yellow Rose of Texas (Performance)

      0:22

Lesson transcript

Music Lesson: Double Stops in American Fiddling

Hello! In this lesson, we're going to look at more double stops. I have to say that double stops are where a lot of the challenge of American fiddling lies.

Spotlight on Arthur Smith

We're going to examine the playing of Arthur Smith, often referred to as "Fiddling Arthur Smith." He was one of the early stars of the Grand Ole Opry, making his debut in 1927, and he was particularly skilled in double stops.

The Tune: Cheetham County Breakdown

One of the tunes we're going to play, which featured prominently in his performances, includes a whole load of second over fourth finger combinations.

  • Second Finger: Goes down first
  • Fourth Finger: Then placed on the string

Stretch and Positioning

You may find that your fourth finger interferes with the second finger when playing on the E string. If this happens, you'll need to adjust your hand position to ensure it's at the right angle.

Another Common Technique

We also have open over four, which is another prevalent technique in American fiddling.

  • The open E string and the fourth finger play the same note simultaneously.

Again, it's crucial to have your hand positioned well so that your finger is pointing straight down, avoiding any unwanted sounds.

Playing the Tune

Let's go straight into the tune, Cheetham County Breakdown.

Cheetham County, which can be spelled in various ways, is actually named after a county just west of Tennessee.

I'm going to play this tune nice and slow, and we'll follow with some backing:

  1. Count: 1, 2, 3, 4.

Important Elements

  • You'll notice that not only do we have these double stops, but there is also a significant amount of syncopation in this tune, which is something we've already covered.

Practice Exercise

Now, let's try the same thing, but this time slightly faster and with backing.

For your assignment in this lesson:

  • Go back over some of the tunes we've covered and play slow versions while creating some double stops.
  • Focus on finding either open over fourth or second over fourth harmonies like we've practiced.

Happy fiddling!

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Chris Haigh

Chris Haigh

Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.

He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.

Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.

He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.

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