Drones: basic exercises and Arkansas Traveller

With
Chris HaighChris Haigh introduces drones - sounding an open string alongside the melody for that old-timey American fiddle feel - with basic exercises and the tune Arkansas Traveller.
What's in the course
25 lessons (1h 30m) · 1 free
01. The Georgia Shuffle
5:42

02. Whiskey Before Breakfast (Performance)
0:44

03. Double stops Wednesday Night Waltz
8:34

04. Wednesday Night Waltz (Performance)
0:54

05. More double stops: Cheatem County Breakdown
4:06

06. Cheatem County Breakdown (Performance)
0:44

07. Singing Cowboys: Yellow Rose of Texas
5:34

08. Yellow Rose of Texas (Performance)
0:22

01. Western Swing: Beaumont Rag
9:50

02. Beaumont Rag (Performance)
1:12

03. Bob Wills - Red River Valley
5:25

04. Red River Valley (Performance)
0:33

05. Twin Fiddling: scale, Goodbye Liza Jane
3:35

06. Western Swing soloing
5:06

07. Goodbye Liza Jane (solo performance)
1:17

08. Western Swing licks
9:19

09. Girl I Left Behind Me (solo walkthrough)
2:33

10. Girl I Left Behind Me (solo performance)
0:28
Lesson transcript
Lesson 1: Mastering Drones in American Fiddling
Hello! This first lesson is going to be about drones.
What is a Drone?
Drones are an important part of most types of American fiddling, and it's something you really do have to master.
- The drone is a note played on an open string on either side of the melody note.
- For example:
- If we have a phrase like this, we could play drones on an open A above it.
- If we have a different phrase, it can also be accompanied by drones, adding an American old-timey feel to the music.
You can immediately feel that it has a very American sound.
When to Use Drones
Drones aren't used all the time and aren't always appropriate, but it's certainly something you need to master.
Exercises
Let's look at a couple of simple exercises:
- Play the same thing, but angle the bow slightly to include the open A.
- Angle the bow slightly down to get the open A.
Keys for Drones
This idea works very well in the keys of G, D, and A. As you move up to something like E or B, it becomes harder, and as you go down to C, F, and so on, it gets even harder.
- Drones are mostly used in simple keys, which is why American fiddling tends to stick to those keys.
- By the end of this course, we'll find a workaround to do drones in any key, but that's something to worry about later.
Introducing a Tune: Arkansas Traveler
Now, I'm going to show you a tune called Arkansas Traveler, which is a very well-known tune.
Playing Without Drones
Let's play it first without any drones:
Now that sounds okay, but it doesn't sound distinctly American.
Adding Drones
If we add the drones, then it certainly does sound more American.
- You may have noticed that I was not droning on every note; I was droning on most of the notes.
- It's a matter of experience to know which notes can be easily droned and which cannot.
Learning Curve
This is something you can't expect to learn overnight. In fact, it may take weeks or even months to figure out how to easily drone on some notes and not on others.
Reading Music with Drones
As for reading music, when drones are written down, it's helpful but can slow things down. It often looks overwhelming when everything is covered in notes.
- Music is frequently written without drones, with just a suggestion to "play drones here and there."
- You need to come to terms with the fact that you can't expect drones to be noted for you; you need to add them yourself.
Assignments for This Lesson
- Try playing "Arkansas Traveler" with drones and without drones.
- Experiment with several other tunes, anything you know, and try adding the drones yourself, remembering that the drones can be either above or below the melody.
Listening Recommendations
Listen to a couple of old-time players:
- Clark Kessinger playing "West Virginia Special."
- G.B. Grayson on "Train 45."
You'll see that one of them drones all the time, while the other drones hardly at all.
Remember: It's a choice to use drones, and not everyone prefers to use them all the time, or even at all.
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Meet your guru

Meet your guru
Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.
He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.
Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.
He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.



















