Girl I Left Behind Me (solo walkthrough)
Lesson time: (2min 33sec)
Chris Haigh breaks down a fiddle solo on 'The Girl I Left Behind Me' note by note, covering the licks, fingerings and a diminished substitution that drive it.
Course preview
This lesson is part of the course Introduction to Country & Bluegrass Fiddle
Watch a preview of the full course below.
Lesson transcript:
Solo on "The Girl I Left Behind Me"
Okay, now we're going to look at a solo on The Girl I Left Behind Me, which is absolutely packed full of these kinds of licks.
Breakdown of the Solo
I need to go through it slowly first. So, we're going to start off with:
-
Similar Lick:
- Second finger over first finger.
- Moving from first position up a third to third position.
-
Diminished Substitution:
- This is a tricky fingering.
-
Transition to D7:
- Then we've got a lick that takes us to the D7.
Lick Details
And then we're into this lick, which is:
- Open E:
- With the first finger sliding down.
- Second finger over third finger.
This lick is taken from Johnny Gimble's Fiddling Around, which is a great tune in itself. So, that will take a bit of work.
- Next Pieces:
- The yodel.
- A syncopated chop.
So, that is a bit of a diminished going into C.
Altered Notes & Hemiola
-
Altered Notes:
- These are jazz elements, which I won't explain, but again, they are in my jazz violin book.
-
Hemiola:
- That's what we call a hemiola, which is a three-note phrase that crosses the bar lines.
-
Augmented Substitution:
- Second finger over first finger.
- Third over second.
- First over open.
- Two over one.
- Three over two.
This will take quite a bit of work to get that.
Practice Tips
I would spend quite a bit of time playing this slowly and then gradually get it up to speed so you can play it along with the backing track.
About the instructor

Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps. He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires. Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook. He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web. read more




