Lesson 17 of 29TrumpetIntermediate

How to use a plunger mute

2:39

Mike Lovatt shows how to use a plunger mute for growls, wahs and expressive articulation - and how to get the same effects with a plastic bowl if you don't own one.

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Mike LovattYour guruMike Lovatt

What's in the course

29 lessons (1h 2m) · 1 free
    • 01. Slinky - Intro & performance

      1:38

    • 02. Articulation

      5:21

    • 03. Long and short notes

      1:44

    • 04. Tounguing

      3:12

    • 05. Valve technique

      1:13

    • 06. Vibrato

      4:19

    • 07. Summary

      0:53

    • 08. Performance with mute

      1:05

    • 09. How to use a plunger mute

      You are here

      2:39

    • 10. Challenge (with plunger mute)

      0:49

Lesson transcript

Music Lesson: Using the Plunge Mute

Introduction

That was me playing Slinky using a rubber plunge mute. I hope you enjoyed all the effects, the growls, and the wahs that I created using it.

Demonstration with a Plastic Bowl

Unfortunately, my dogs ran off with my plunge mute, so I had to go to the kitchen and get a plastic bowl to demonstrate how I achieve those effects. You could get a plastic bowl too and try making sounds like this.

Articulation with the Plunge Mute

What we use the plunge mute for is to enhance our articulation, like this:

  • I'm not actually using my tongue there; I'm using the mute as a tongue.
  • Wa, wa, wa.

Practice

You have a go at doing it after me. Let's just do it on a middle.

First Effect: This is the first effect we need to learn how to do:

  • Wah, wah, wah.

To achieve this, you need to:

  • Hold the trumpet firmly with your right hand.
  • Hold the mute firmly in your left hand.

Creating Different Sounds

Another effect we can do is to keep the mute completely closed. When we do this, we get a sound like this:

  • If you do have a rubber plunger, you could go down to your local hardware store and buy an ordinary sink plunger. Make sure there's a hole in the end of it; otherwise, when the mute is completely closed over the bell, we won't be able to get any sound through.
  • If the mute is completely closed, we won't be able to get any air out of the bell.

How to Use the Mute

  • Get the mute and place it over the end of the bell, then blow.
  • We have to blow quite hard when the mute is completely closed over the end like this.

Important Note:
If I blow that hard and the mute isn't over the end of the bell, it's very loud. We need to support that note.

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Meet your guru

Mike Lovatt

Mike Lovatt

Mike Lovatt studied at Trinity College of Music, where he was awarded the Jon Kelly Jazz Scholarship. He has performed and recorded across a huge range of styles with artists including Quincy Jones, Robbie Williams, Eric Clapton, the Orchestra of the Royal Opera House Covent Garden, the Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey and Danny Elfman, among many others.

As Principal Trumpet in London's West End, Mike has performed in Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady and Spamalot, amongst others. He has played on movie soundtracks including the James Bond films, Harry Potter with the London Symphony Orchestra, the award-winning Chicago, Kevin Spacey's Beyond the Sea, Charlie and the Chocolate Factory, Madagascar and The Corpse Bride. He is featured on trumpet and cornet in George Fenton's Mrs Henderson Presents, and on trumpet in Looking for Eric.

Mike is principal trumpet with the Grammy-nominated John Wilson Orchestra and has been featured in their celebrated BBC Promenade concerts and recordings.

Mike is sought after as a teacher and clinician, and is a professor of trumpet at the Royal Academy of Music and the Royal College of Music. In April 2013 he was proud to be awarded the prestigious Derek Watkins' Chair of Trumpet at the Royal Academy of Music, London.

In his MusicGurus courses, Mike shares the secrets behind his versatility, showing you how to nail authentic swing, rock and Latin trumpet styles so you can play any of them with confidence and the right feel.

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