Inflexions bends

Mike Lovatt
Mike Lovatt

Lesson time: (3min 7sec)

Mike Lovatt adds grit to rock trumpet with bends, a lazy slide up into a note that gives your playing that down-and-dirty bluesy edge.

Course preview

This lesson is part of the course Play Authentic Rock Trumpet
Watch a preview of the full course below.

Lesson transcript:

Adding Grit to Your Sound

Now we're starting to get all the shorts and longs sorted out. It's beginning to sound really rock and bluesy. But how can we get some more down and dirty grit into it?

Introducing Inflections

We can achieve that by using what we might call inflections. They can be all sorts of things, effects that create a different kind of sound and transport us to a different place.

Listening Exercise

Let's listen to me play the first phrase, and I'll add some inflections. See if you can spot where those are.

Counting In: 1, 2, 3, 4.
1, 2.

Could you tell where they were? I'll do it one more time:
1, 2, 3, 4.
1, 2.

That one was quite obvious right at the end of the phrase. I did what's called a bend into that note. It's like a kind of lazy way of getting into the note.

Practice the Bend

Follow my lead:
1, 2, 3, 4. Bodie.

So how do we do a bend? Well, there are different ways.

Using the Valves

One way is to use the valves. Normally, when moving from that G sharp at the end of the third bar, we would press the valves down like this:

  • We go from 2 and 3 to 1 and 2.
  • We move the valves quickly, pressing them down quickly so the note transitions smoothly.

But in this instance, we want to create a kind of glisten, a nice little bend into the note.

Try it: Be lazy with the changeover of the valves. I was a bit too lazy that time. Let's try again. You have a go!

Bending with Air and Tongue

There's another way we can bend notes: by using our air stream combined with our tongue, changing the mouth cavity to facilitate the bend.

I'll demonstrate that now, and then you'll be able to experiment to see if you can do it!

About the instructor

Mike Lovatt
Mike Lovatt

Mike Lovatt studied at Trinity College of Music, where he was awarded the Jon Kelly Jazz Scholarship. He has performed and recorded across a huge range of styles with artists including Quincy Jones, Robbie Williams, Eric Clapton, the Orchestra of the Royal Opera House Covent Garden, the Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey and Danny Elfman, among many others. As Principal Trumpet in London's West End, Mike has performed in Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady and Spamalot, amongst others. He has played on movie soundtracks including the James Bond films, Harry Potter with the London Symphony Orchestra, the award-winning Chicago, Kevin Spacey's Beyond the Sea, Charlie and the Chocolate Factory, Madagascar and The Corpse Bride. He is featured on trumpet and cornet in George Fenton's Mrs Henderson Presents, and on trumpet in Looking for Eric. Mike is principal trumpet with the Grammy-nominated John Wilson Orchestra and has been featured in their celebrated BBC Promenade concerts and recordings. Mike is sought after as a teacher and clinician, and is a professor of trumpet at the Royal Academy of Music and the Royal College of Music. In April 2013 he was proud to be awarded the prestigious Derek Watkins' Chair of Trumpet at the Royal Academy of Music, London. In his MusicGurus courses, Mike shares the secrets behind his versatility, showing you how to nail authentic swing, rock and Latin trumpet styles so you can play any of them with confidence and the right feel. read more

What's included?

27 lessons (0h 54m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info