Lesson 22 of 27TrumpetIntermediate

Middle section and inflexions

3:18
Mike analyzes the middle section of the piece and explains his choice of inflexions
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Mike LovattYour guruMike Lovatt

What's in the course

27 lessons (0h 54m) · 1 free
    • 01. The Turkey - Intro & performance

      1:53

    • 02. Lead in

      1:15

    • 03. Articulation

      4:01

    • 04. Middle section and inflexions

      You are here

      3:18

    • 05. Ending the tune

      3:01

    • 06. Intonation and musicality

      4:38

    • 07. Dynamics

      2:37

    • 08. Summary

      0:36

    • 09. Challenge

      0:44

Lesson transcript

Music Lesson: Inflections and Phrasing

So now let's add that phrase and carry on to the next phrase, going right up into the middle section where we'll talk about some other inflections and phrasing.

Count Along
1, 2, 3.

Understanding the Phrase

In the third line down, the phrase that I played there, you'll notice that on the third beat,

  • The push into the third beat
  • The quaver on the second hand

You'll notice there's a little line underneath that. Mark Nightingale's written that it could mean:

  • A bend
  • A little slide up to it.

Again, this is kind of your artistic license as to how you want this piece to sound.

Example Bends and Slides
I did a bend like this:

  • We could do a little kind of grace note slide into it there.

I use my valves playing a tone lower:

  • For the G sharp, I went F sharp, G.
  • For the next note, I did E to the F sharp.

Practice Tips
You can practice that:
1, 2, 3, 4.

And speed up the way that we use the valves. So you've got two different flavors:

  • You can add the valves, like we just did then,
  • Or the bending of the note.

Listening to Techniques

Let's hear the bend one more time.

In another lesson, we talked about how we bend notes. We can bend notes by using our air stream. The way the tongue affects the air stream:

  • If we raise the tongue in our mouth, generally the air coming over it will be faster.
  • Since the tongue is higher in the mouth, it compresses the air.

Example of Compression
You see, if you can make a noise like that. If I do that whilst I'm blowing the trumpet, this is what happens.

As you can see, my range goes way up in the sky because I'm compressing the air faster. Air means a higher note.

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Meet your guru

Mike Lovatt

Mike Lovatt

Mike Lovatt studied at Trinity College of Music, where he was awarded the Jon Kelly Jazz Scholarship. He has performed and recorded across a huge range of styles with artists including Quincy Jones, Robbie Williams, Eric Clapton, the Orchestra of the Royal Opera House Covent Garden, the Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey and Danny Elfman, among many others.

As Principal Trumpet in London's West End, Mike has performed in Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady and Spamalot, amongst others. He has played on movie soundtracks including the James Bond films, Harry Potter with the London Symphony Orchestra, the award-winning Chicago, Kevin Spacey's Beyond the Sea, Charlie and the Chocolate Factory, Madagascar and The Corpse Bride. He is featured on trumpet and cornet in George Fenton's Mrs Henderson Presents, and on trumpet in Looking for Eric.

Mike is principal trumpet with the Grammy-nominated John Wilson Orchestra and has been featured in their celebrated BBC Promenade concerts and recordings.

Mike is sought after as a teacher and clinician, and is a professor of trumpet at the Royal Academy of Music and the Royal College of Music. In April 2013 he was proud to be awarded the prestigious Derek Watkins' Chair of Trumpet at the Royal Academy of Music, London.

In his MusicGurus courses, Mike shares the secrets behind his versatility, showing you how to nail authentic swing, rock and Latin trumpet styles so you can play any of them with confidence and the right feel.

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