Lesson 6 of 14Music ProductionIntermediate

Pre-fade vs Post-fade metering

2:45

The difference between pre-fader and post-fader metering in Logic: pre-fader always shows the source signal, while post-fader reflects the level after the channel fader.

Part of the courseComposition in Logic: Mixing, Finalising & Bouncing14 lessons (0h 33m)

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14 lessons (0h 33m) · 1 free
    • 01. Intro to mixing and automation

      Free lesson

      0:45

    • 02. Finessing your track

      2:52

    • 03. Approaching the mix - housekeeping and leveling

      6:42

    • 04. Widening the drum sound

      3:47

    • 05. Side-chaining

      2:42

    • 06. Pre-fade vs Post-fade metering

      You are here

      2:45

    • 07. Quantizing & flex-timing

      2:05

    • 08. Checking levels, adding compression

      1:18

    • 09. Creative processing & effects

      3:14

    • 10. ASSIGNMENT: Track Alternatives

      1:02

Lesson transcript

Understanding Pre-Fader and Post-Fader Metering in Mixing Logic

One important aspect to note when mixing in Logic is the choice between pre-fader and post-fader metering.

Post-Fader Metering

  • Post-fader metering shows you the signal after it has passed through the channel.
  • If you're listening to something and you lower the volume here, it will lower the overall output volume.

Pre-Fader Metering

  • Pre-fader metering displays the original output signal, regardless of your fader position.
  • No matter where you set the fader, it will always indicate the original signal.

Key Differences

  • If you're peaking, the input signal will still show peaking status even if the output volume is low.
  • This provides a far better representation of your mixing status and helps you identify any peaking at the main volume.

Example

  • For instance, if your fader is down but the meter shows the signal is still up, you can see where the peaks are:
    • "Whether I have it up here or down here, it's still going to show me the source signal."
    • If I'm peaking over here, even when the volume is very low, I'll be aware of where it is at.

Adjusting Levels

  • I might go ahead and adjust whichever instrument is peaking.
    • For example, the bass seems to be too high; I can pull it down a bit now.
    • Be careful: lowering it here influences the output volume, but the original signal remains high.

Final Adjustments

  • The original signal is coming through the ACQ section of my SSL console.
  • My approach would be to lower the input signal slightly and perhaps apply a little compression.
  • For now, I'll leave the EQ as is since it doesn't bother me much.
  • Overall, the signal level is acceptable now.

Let's see how the next instrument is performing.

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Dov Waterman

Dov Waterman

Dov Waterman is a composer, pianist and producer. He has written and designed sound for films including After Earth, Terminator Genisys, Transformers: The Last Knight and The Snowman, and works as a sample-library audio editor and sound designer with companies such as Native Instruments and SonoKinetic.

His Composition in Logic series walks through building a track end to end in Logic Pro - from templates and workflow to synthesis and beat programming, MIDI effects, editing and the final mix - for producers who want to turn their ideas into finished records.

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