Beat The Mersey (Décryptage)

Avec
Talia GirtonLe contenu du cours
19 leçons (0h 33min) · 1 gratuites
01. Qu'est-ce qu'une gamme et démonstration
Leçon gratuite2:27

02. Appel et réponse
0:58

03. Exemple 1 d'appel et réponse
1:09

04. Exemple 2 d'appel et réponse
1:25

05. Improviser sur la pentatonique majeure
1:49

06. Jam en pentatonique majeure (interprétation)
1:05

07. Jam sur la pentatonique mineure
1:48

08. Minor Pentatonic Jamming (interprétation)
0:49
Transcription de la leçon
Music Lesson Transcript Formatting
In this piece, you may have noticed that the left hand consists of thirds all the way through. This means that you can figure out just the bottom note, and then the next note is going to be a skip away in the right hand.
Pattern Recognition
There's a pattern that repeats itself several times throughout the music. It sounds like this and can be seen for the first time in:
- Bars 1 and 2
- Bars 3 and 4
You'll also notice that there's a sharp that appears in the left hand in this piece. You'll see that in:
- Bar 15
- Bar 22
The bottom note of this third is a D. We know that all we have to do to make a third is to skip a note and go up to the next one, which would be F. Because we've got that sharp symbol, we need to make sure that we're going up to the rightmost black key, F sharp.
Practice Tips
Remember to practice this with separate hands and in small chunks.
Demonstration
I'll play it for you first so you can get an idea of what it sounds like:
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
(This pattern continues through every repetition.)
A Section and B Section
This piece of music has an A section and a B section, which means that they sound quite different. It is depicted in the sheet music by an A with a little box around it and also a B.
This is useful for musicians to discuss which part of the music they would like to play.
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Talia Girton est musicienne et musicothérapeute agréée par le HCPC, et fondatrice de The Cycling Music Teachers. Son travail réunit la musicothérapie, l'accompagnement et l'éducation, et elle enseigne à l'international dans le cadre de la formation en musicothérapie de l'UDELAS au Panama, tout en contribuant au développement professionnel avec l'European Piano Teachers Association (EPTA). Sur MusicGurus, elle enseigne les cours Piano Method et Piano Foundations, guidant les débutants complets depuis les premiers pas à travers le rythme, les deux mains, la théorie et l'interprétation.























