Ajouter la quinte bémol et la sixte majeure à la gamme pentatonique
Lesson time: (5min 10sec)
Ron Sayer ajoute la 'blue note' de la quinte bémol et la 'note B.B. King' de la sixte majeure à la gamme pentatonique, élargissant ton vocabulaire blues sur un 12 mesures.
Course preview
This lesson is part of the course Thinking Out Of The Box 1: Opening The Lid
Watch a preview of the full course below.
Lesson transcript:
Adding Blue Notes to Your Scale
The next step from that is we're going to stick in a blue note.
The Scale with a Flattened 5
- Play the scale with a flattened 5 in it.
- All you're doing is taking that pentatonic scale and adding in a flat five.
Here it is:
- Now, mirror that shape on the next two strings.
I'll play that once more.
Practicing the 12-Bar Sequence
Let's quickly go around a 12-bar sequence, showing you how to throw that blue note in there.
Count:
- 2, 3, 4...
Lovely!
Again, that includes a blue note.
Introducing the B.B. King Note
Now, I want to throw one more note into that scale, which is a real favorite, it's called the B.B. King note, which is the major sixth.
- This note makes the scale sound a lot more interesting.
I'll run through that for you:
- F sharp is what we're adding to the scale.
Let me show you where you can use that over a trill bar.
Count:
- Let's go again.
- 1, 2, 3... Sa!
Yeah, okay, cool!
Summary
So that's basically given you a pentatonic scale with a couple of added notes, which take you outside the box.
- Give that a go!
About the instructor

Ron Sayer est un guitariste de guitaristes du circuit blues britannique et un mentor pour des musiciens comme Oli Brown et Sol Philcox. Il a été nommé quatre fois aux British Blues Awards - pour l'album 'Better Side', le single 'Don't Make Me Stay' et sa coécriture sur 'Here I Am' d'Oli Brown - et a remporté le prix du guitariste de l'année. Dans ses cours, il décompose le phrasé, la sonorité et le feeling qui se cachent derrière le jeu solo de blues électrique. read more




