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Groover avec des paradiddles

7:03
Comment utiliser le paradiddle dans le contexte d'un groove pour faire sonner le rudiment vraiment cool
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Harry PopeVotre guruHarry Pope

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15 leçons (1h 43min) · 3 gratuites
    • 01. BONUS : Installer la batterie

      Leçon gratuite

      2:36

    • 02. Rencontre Harry

      Leçon gratuite

      2:01

    • 03. Fais connaissance avec ta batterie

      Leçon gratuite

      13:15

    • 04. Technique de baguette et de pied

      10:18

    • 05. Le beat de base

      7:26

    • 06. Noires et croches

      6:05

    • 07. Varier le beat

      8:06

    • 08. Rudiment #1 - Single Stroke Roll

      9:39

    • 09. BONUS : Fills avec le single stroke roll

      5:06

    • 10. Rudiment n° 2 - Double Stroke Roll

      7:11

    • 11. BONUS : Fills avec le double stroke roll

      4:14

    • 12. Rudiment #3 - Paradiddles

      5:53

    • 13. Groover avec des paradiddles

      Tu es ici

      7:03

    • 14. Ajouter des doubles croches et des ornements

      7:28

    • 15. Ajouter la cymbale ride et le charleston ouvert

      7:08

Transcription de la leçon

Welcome Back!

I hope you're still enjoying these lessons. You made it pretty far!

Playing with Paradiddles

What we're going to do just now is play a little bit more with those paradiddles. So far, we've played them between the floor tom and snare drum.

Explore the Sounds

Once you've got the paradiddle sticking down, try moving your hands around. Here are some tips:

  • Experiment: Move the first note of each paradiddle around the drum kit.
  • Have Fun: Kick around the drum kit and enjoy the process. You'll discover some cool sounds!
  • Learn from the Pros: Check out Steve Gadd, many of his grooves are based on paradiddles and are played exceptionally well.

Speeding Up the Paradiddles

I'll give you an example of what paradiddles can sound like when you speed them up and make them sound clean. It may not be as clean as his, but here's what I can do:

  • About 60-70% of that is just right, left, right, right, left, right, left.

Introducing Semiquavers

Now, let's learn our first beat that incorporates semiquavers.

  1. Right-Handed Paradiddle on Beat 1
  2. Left-Handed Paradiddle on Beat 2

Practice Basic Beats

  • Here's how it flows:
    1, 2, 2, 3, 4
    1, 2, 3, 4
    One, two, three, four.

This sticking is quite simple, but it sounds interesting when we move our hands around.

Adding the Bass Drum

Once you've got this together, add the bass drum on the first semiquaver of beats one and three:

  • 1, 2, 3, 4.

Understanding Accents

Now, let's learn about another musical term: Accent.

  • An accent is a note that is louder than the others.

Accenting Paradiddles

For example, if I accent the first note of each paradiddle, it would sound like this:

  • Right-Handed: Accent the first note.
  • Left-Handed: Accent the first note.

For the groove: Accent every left-handed paradiddle's first note. This would look like:

  • Left, Right, Left, Left, Left, Right, Left, Left

When the bass drum comes in (on beats 1 and 3), it accentuates the sound further.

Hi-Hat Accents

To create a nice accent on the hi-hat:

  • Use the shoulder of the stick instead of the tip.
  • Hit it against the side, not the top.

This technique produces a rougher and messier sound.

Turning Exercises into Beats

As you practice, you'll notice that what starts as an exercise can evolve into a cool beat to play.

  • Practice It: You don't have to play it fast! Just enjoy the process.
  • Add Paradiddles Occasionally: If you're feeling bored, incorporate paradiddles. They sound cool and will significantly enhance your playing!

Conclusion

That's some applications for the paradiddle. I hope you enjoy them, and I'll see you next time. Thanks!

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Harry Pope

Harry Pope

Harry Pope est un batteur londonien diplômé du programme de jazz du Trinity College of Music. Il a joué avec la lauréate du Brit Award Eddi Reader, le guitariste Jim Mullen, Graeme Duffin de Wet Wet Wet et le Royal Scottish National Orchestra Big Band. Son cours pour débutants part de la batterie elle-même — posture, prise en main, tenue du tempo et tes premiers grooves — à un rythme qui convient à quiconque saisit les baguettes pour la première fois.

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