Conseils de travail
Lesson time: (3min 29sec)
Les conseils de travail d'Annabel Thwaite pour O Little Town of Bethlehem, en travaillant les gammes de Fa majeur et les doigtés et positions de main les plus délicats du morceau.
Course preview
This lesson is part of the course Apprends les classiques de Noël au piano
Watch a preview of the full course below.
Lesson transcript:
How to Practice in F Major
Well, it's in F major. I can't stress more:
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Scales are brilliant.
I'd practice F major scales, making sure your fourth fingers are very concentrated on B flats.
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Left Hand Practice:
You can practice legato and also staccato. Have a good look at the fingering because it's not as easy as you first think it is.
Finger Positioning:
I've written almost every finger on there, especially at the start of the phrase. I look at the fifth finger to begin, and I'm always looking at hand positions.
In the second bar, I use 1, 2, and 3, and then I go again by using the fifth.
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Marking Fingering:
When you're marking fingering, look at the easiest hand position. Then, use the thumb or the third finger and sometimes the fourth to kind of 'turn the corner' as if you were driving a car and you're just going around the roundabout.
It's not jagged; it just needs to be smoothly done because everything is very malleable and fluent.
Pedal Usage
And finally, let's look at pedal.
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Use Sparingly:
There's very minimal pedal here. Use the pedal wisely and sparingly. I am not one for writing pedal markings in because I think pedal is literally that bit of spice that you just add as if you were cooking.
You're just going to put a bit more chili powder or something stronger to influence it, making it resonate a little bit more.
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Be Aware of Sound:
So you always have to be aware. If you're not listening, you'll end up with a muddled sound. I often hear that in young students; they put the pedal down and forget to take it off.
I also think it's a bit like driving a car. You never think about when you put your accelerator or clutch down, or even if you have an automatic; you just put your accelerator down.
It becomes second nature. So try not to think about the foot but think about the ear. And the foot will follow the ear, meaning it won't smudge or blur any harmonies.
Random Practice Techniques
Finally, if you're finding this a little tricky at some points in the day, I would recommend block random practice.
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Engaging Games:
I often play a game with my students where I say, "Go from that bar." You have to find out which finger you're on, where it begins, and move to the other, maybe the end of the second bar.
This way, you always focus on various points.
It's very easy to get bogged down in your practice by just always practicing the beginning rather than the end; sometimes the middle is forgotten. So, random practice is my biggest tip I can give you here.
About the instructor

Reconnue comme l'une des pianistes les plus polyvalentes et charismatiques de Grande-Bretagne, Annabel Thwaite mène une carrière variée de soliste, de chambriste, d'artiste de studio, de pédagogue et d'examinatrice, et a remporté tous les grands prix d'accompagnement, dont les prestigieux Kathleen Ferrier, Gold Medal et Richard Tauber Piano Prizes. Elle a collaboré avec des artistes de renom tels que Roberto Alagna, Bryn Terfel, David Kempster et "Only Men Aloud!" Annabel a enregistré pour Universal records avec le "Scottish Tenor", dont l'album a été nommé aux Classical Brit Award et passe régulièrement sur Classic FM. Deux fois accompagnatrice du Festival of Welsh Male choirs, ses concerts au Royal Albert Hall ont été enregistrés par Sain et diffusés sur S4C. Elle est aussi pianiste de séance pour le cinéma, ayant enregistré à Abbey Road la musique du film "Awake", de la série de la BBC sur Jane Austen "Emma", de "The Secret Diaries of Miss Anne Lister" et, plus récemment, elle est apparue à la fois dans Blue Peter et dans "The Rob Brydon Show". "...aidée sans doute par les accompagnements de piano manifestement brillants d'Annabel Thwaite... un vrai plaisir." Dans ses cours MusicGurus — Learn Christmas Classics on Piano, Learn Classical Favourites on Piano et Growing Chamber Groups and Small Ensembles — Annabel partage la musicalité qui sous-tend cette carrière polyvalente. Tu apprendras à faire vivre au piano des pièces de Noël et classiques bien-aimées, à développer ton toucher et ton phrasé et, forte de son expérience primée d'accompagnatrice, à découvrir comment écouter, mener et jouer ensemble en faisant de la musique avec d'autres musiciens au sein de groupes de chambre et de petits ensembles. read more




