Spindrift (leçon)
Lesson time: (9min 5sec)
Al Petteway enseigne son morceau aux accents celtiques « Spindrift » à la guitare acoustique en accordage DADGAD, en commençant par ce lick d'introduction.
Course preview
This lesson is part of the course Celtique, blues et au-delà
Watch a preview of the full course below.
Lesson transcript:
Lesson Overview: Exploring Dad Gad Tuning and the Tune "Spindrift"
Hi, I'm Al Pettaway, and I hope you enjoyed that performance. It's interesting to me that you can play all these different styles of music with one tuning. That's not standard tuning, and I'll be showing you a little bit about that.
Understanding Dad Gad Tuning
Dad Gad Tuning is my standard tuning. I'll start off by showing you a little bit about "Spindrift." This tune was inspired by the Celtic tradition, although it gets a little bit of that American flavor in it too.
Getting Started with "Spindrift"
Most people want to learn right off the bat, they want to learn that lick at the very beginning. It's actually way easier than it appears. Let's dive into that lick:
- Key: D Major
- The very beginning melody includes a roll across the strings to create a sweet sound.
- Followed by a pull-off and then another pull-off.
Note: If you've played pull-offs before, they're not that difficult. You just need to decide which direction you want to go:
- Some people push up, while others pull down.
- It depends on your playing style and comfort level.
Personally, I like to go down, but that's just my preference. You'll notice that I incorporate a lot of pull-offs and hammer-ons, which help to split the notes between my left hand and right hand.
Technique Breakdown
Here's that lick again:
- Visual Observation: People often comment that it looks like I'm not moving, and that's because I really don't move my left hand much.
- Movement:
- I stretch up to the same note, stretch down, and pull off again.
- I then play a little arpeggio: thumb, first, second, third, second, first, thumb.
Practice Suggestion:
Practice this technique while watching TV or just relaxing.
- Go up and down the fingers until they feel comfortable:
- Sequence: Thumb, first, second, third, second, first, thumb.
This can be handy for a lot of different tunes, and for "Spindrift," it's perfect.
Sweetness Over Attack
I'll do it slowly again: notice the roll I use to sweeten the sound. If I hit those notes straight on, it gives a different effect.
- This technique emphasizes sweetness over a hard attack, which is crucial in this style of music.
- The way you come off the strings with your nails and the rolls you play with your fingers will greatly affect the outcome.
Moving to the Next Section
Now, let's move on to the next part. It's simply a walking down of chords in Dad Gad tuning.
Chord Progression in Dad Gad
If you haven't played in Dad Gad before, the tuning is:
- D, A, D, G, A, D.
With a capo, I can play in the key of G, and you need to be aware of what key you're in when playing with others.
B Section Chord Progression
For the B section or the second half of the A, it goes:
- G → D (with F sharp) → E minor.
These three strings are exactly the same as standard tuning, while the other three are down a step. This gives you octaves to play and creates a wonderful freedom for the left hand.
American Influence and Travis Picking
The second half has more of an American feel, and it may sound like I'm doing Travis picking.
Key Technique:
To incorporate the melody, I have to leave out some notes.
- The goal is to maintain a flowing sound, similar to alternating fingers, but I need to ensure the melody is prominent.
- This can be thought of as a banjo roll.
I'll play that really slowly now. The trick is to keep a 16th note pattern going. If there's a gap, fill it with whatever finger is available, ensuring that:
- Melody: Always play the melody the loudest.
- Bass: Next loudest after the melody.
- Other notes: Played more softly in comparison.
This allows the melody to shine through the context of all the notes being played.
Reinforcing the Technique
To reinforce this, return to the first exercise:
- Practice Sequence: Thumb, first, second, third, second, first, thumb, and accent a different finger each time.
- For example, start with the thumb, then the first finger, second, and third.
This exercise can be done on any chord set and will help you learn to accentuate the melody.
Conclusion
That's "Spindrift"! You'll find that it's much easier than it sounds, and when you start playing any of this music in Dad Gad, it just falls right under your fingers. I think you'll enjoy it!
About the instructor

Artiste de studio et interprète lauréat d'un Grammy Award, Al Petteway a joué presque tous les types de musique populaire, folk et classique. Bien que son instrument principal ait toujours été la guitare, il a aussi étudié le luth, la contrebasse, la percussion et la composition musicale. Ses compositions pour guitare acoustique fingerstyle sont fortement influencées par son amour de la musique celtique et par ses propres racines dans le folk, le rock et le blues — précisément le terrain qu'il explore dans son cours MusicGurus, Celtic, Blues and Beyond. Dans Celtic, Blues and Beyond, Al partage les accordages ouverts, les techniques de fingerstyle et l'approche mélodique qui sous-tendent son son, te montrant comment fusionner le phrasé celtique avec le feeling du folk, du rock et du blues afin que tu trouves ta propre voix à la guitare acoustique. Al a reçu quarante-cinq "Wammies" de la Washington Area Music Association, dont les plus hautes distinctions d'"Artist of the Year" et de "Musician of the Year". Il a été récompensé par deux Maryland State Arts Council Individual Artist Awards de composition musicale et s'est produit à la résidence du Vice-président et à The White House. Son jeu figure sur plus de soixante enregistrements de certains des musiciens folk et celtiques les plus connus au monde. En 2005, il a été élu l'un des Top Fifty Acoustic Guitarists of all Time par les lecteurs d'Acoustic Guitar Magazine, et en 2008 il a remporté les médailles d'argent et de bronze aux Player's Choice Awards du magazine. Son CD "Caledon Wood" a été élu l'un des "Essential Albums of the Past Twenty Years" dans le numéro du 20e anniversaire d'Acoustic Guitar Magazine, et son album de 2012 "It's Only the Blues" a figuré sur deux des listes "Top Ten Essential Albums of 2012" des rédacteurs d'Acoustic Guitar Magazine. En 2014 et 2015, il a publié deux autres albums solo, "Mountain Guitar" et "Dream Guitars, Vol. II." "Instrumentiste novateur connu pour ses accordages ouverts, Petteway offre un son riche et suave qui allie l'ancien et le nouveau." --The Boston Globe read more




