Étudier la partition

Annabel Thwaite
Annabel Thwaite

Lesson time: (4min 11sec)

Annabel Thwaite explique pourquoi chaque interprète d’un ensemble de chambre devrait étudier la partition complète, en s’appuyant sur un passage délicat d’un quintette avec piano de Beethoven pour montrer comment les cordes s’imbriquent avec le piano.

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This lesson is part of the course Faire grandir les groupes de chambre et les petits ensembles
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Lesson transcript:

Understanding the Score in a Piano Quintet

Studying the score is incredibly important for each member to know what's happening in the other parts.

The Pianist's Perspective

As pianists, we are lucky. We receive the score for all instruments playing. In a piano quintet, we have the other four instruments represented in our part. However, the four string players do not have the same advantage.

The Role of Strings

It's crucial for the strings to:

  • Listen: They should go home and listen to, or memorize, the piano score.
  • Follow: They need to follow the pianist's part and respond accordingly.

For instance, if the violinist is playing, she should listen closely to the cello. This awareness is particularly important because:

  • It solidifies difficult rhythms and passages.
  • It helps maintain rhythm and pulse during performance.

When performers get carried away with the music, those with the most notes might experience anxiety.

Practical Application: A Beethoven Passage

Let's consider a passage from Beethoven. Nicky, the pianist, has a challenging section with 12 semiquavers to every one note from the strings.

Playing Under Tempo

We will be playing this passage under tempo. I'll ask the strings to:

  • Play dynamics softer than marked (double forte).
  • Focus entirely on locking into every single note that Nicky is playing.

Slow Practice

Taking it slowly allows us to see the results. This practice can be done individually, away from the teacher, helping them become accustomed to the complexity of the piano part.

Supporting the Pianist

In past experiences, I've often noticed that viola players tend to help the pianist by focusing on the inner parts of difficult passages. This attention can help ease the tension in ensemble dynamics.

Exploring Semiquavers

Now, let's touch on semiquavers and very fast passages. Using Nicky as an example, when she has 12 semiquavers, she likely focuses on Beats 1, 2, and 3 during practice. However, it's also imaginative to concentrate on the less significant beats.

Exercise for Improvement

Here's a little exercise we can do together, applicable to any complex passage:

  1. Play One Bar: Nicky will play one bar and accentuate the first note of every group of four semiquavers.
  2. Accent Variations:
    • Accent the second note.
    • Accent the third note.
    • Accent the fourth note.

This exercise can be repeated in various combinations such as:

  • 3 and 4
  • 1 and 2
  • 1 and 3

The goal is to keep your brain engaged.

Collaborative Practice

You can also perform this exercise collectively as a trio or in any ensemble.

Conclusion

Hopefully, this method will push you out of your comfort zone and help you bring it all together for a seamless performance!

About the instructor

Annabel Thwaite
Annabel Thwaite

Reconnue comme l'une des pianistes les plus polyvalentes et charismatiques de Grande-Bretagne, Annabel Thwaite mène une carrière variée de soliste, de chambriste, d'artiste de studio, de pédagogue et d'examinatrice, et a remporté tous les grands prix d'accompagnement, dont les prestigieux Kathleen Ferrier, Gold Medal et Richard Tauber Piano Prizes. Elle a collaboré avec des artistes de renom tels que Roberto Alagna, Bryn Terfel, David Kempster et "Only Men Aloud!" Annabel a enregistré pour Universal records avec le "Scottish Tenor", dont l'album a été nommé aux Classical Brit Award et passe régulièrement sur Classic FM. Deux fois accompagnatrice du Festival of Welsh Male choirs, ses concerts au Royal Albert Hall ont été enregistrés par Sain et diffusés sur S4C. Elle est aussi pianiste de séance pour le cinéma, ayant enregistré à Abbey Road la musique du film "Awake", de la série de la BBC sur Jane Austen "Emma", de "The Secret Diaries of Miss Anne Lister" et, plus récemment, elle est apparue à la fois dans Blue Peter et dans "The Rob Brydon Show". "...aidée sans doute par les accompagnements de piano manifestement brillants d'Annabel Thwaite... un vrai plaisir." Dans ses cours MusicGurus — Learn Christmas Classics on Piano, Learn Classical Favourites on Piano et Growing Chamber Groups and Small Ensembles — Annabel partage la musicalité qui sous-tend cette carrière polyvalente. Tu apprendras à faire vivre au piano des pièces de Noël et classiques bien-aimées, à développer ton toucher et ton phrasé et, forte de son expérience primée d'accompagnatrice, à découvrir comment écouter, mener et jouer ensemble en faisant de la musique avec d'autres musiciens au sein de groupes de chambre et de petits ensembles. read more

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