Le langage corporel
Lesson time: (3min 50sec)
Annabel Thwaite explore comment la posture et le langage corporel aident les musiciens de chambre à libérer le son, à réduire les tensions et à rester connectés les uns aux autres.
Course preview
This lesson is part of the course Faire grandir les groupes de chambre et les petits ensembles
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Body Language and Posture
The Importance of Body Language
I think your demeanor and posture are incredibly important as a musician.
- Using your body to maximum effect allows the sound from your instrument to be released very freely and naturally.
- In a chamber group, body language is crucial; the aura you project should transmit energy while also allowing you to receive it.
Music Stands
Often, people see music stands as a barrier between the performer and the audience, but we certainly don't want to view them as barriers between our beautiful musicians.
- Ideal Height:
- Having your music stand at the correct height is perfect.
- If it's too low, instruments may appear cramped, making it difficult to play.
Imagine if the stand were smaller, playing would feel quite cramped, wouldn't it?
Practicing with Confidence
You could allow a shy first violinist or recorder player to stand and be more aware of their posture, embracing a more soloistic approach.
- Activity:
- Family, you wouldn't mind standing and imagining you were a soloist. Please play the beginning for me.
- Response: "Lovely! How did that feel?"
- It felt more free, and I was able to move around more freely.
Practical Tips for Musicians
- Practice Suggestions:
- In their practice room, the teacher should encourage students to practice standing up.
- They should also keep the feeling of freedom and incorporate it while practicing with the stand low.
Brief Word About Posture
When sitting down, these musicians should aim for stability.
- Foot Placement:
- Both feet should be planted on the ground, providing a sense of stability.
- This approach works the major muscle groups from the waist down and allows for more freedom in the upper body.
- Both feet should be planted on the ground, providing a sense of stability.
Peripheral Vision in Practice
In the practice room, students could work on their peripheral vision.
- Moving to a pianist, this concept applies to a bass quartet or any musician left or right of center.
- For example, if Nikki started to turn her head a lot, it might disrupt her and make her nervous about the notes, especially later in the piece when there are more complexities.
Recommendations for Practice:
- I would really suggest that in the practice room, she remains aware and practices moving her eyes away from the score. This will enhance her compatibility with the rest of the group.
This isn't always possible, and I personally prefer looking at the score while doing something else.
- Now, let's move on to discussing breath, which is our next topic.
About the instructor

Reconnue comme l'une des pianistes les plus polyvalentes et charismatiques de Grande-Bretagne, Annabel Thwaite mène une carrière variée de soliste, de chambriste, d'artiste de studio, de pédagogue et d'examinatrice, et a remporté tous les grands prix d'accompagnement, dont les prestigieux Kathleen Ferrier, Gold Medal et Richard Tauber Piano Prizes. Elle a collaboré avec des artistes de renom tels que Roberto Alagna, Bryn Terfel, David Kempster et "Only Men Aloud!" Annabel a enregistré pour Universal records avec le "Scottish Tenor", dont l'album a été nommé aux Classical Brit Award et passe régulièrement sur Classic FM. Deux fois accompagnatrice du Festival of Welsh Male choirs, ses concerts au Royal Albert Hall ont été enregistrés par Sain et diffusés sur S4C. Elle est aussi pianiste de séance pour le cinéma, ayant enregistré à Abbey Road la musique du film "Awake", de la série de la BBC sur Jane Austen "Emma", de "The Secret Diaries of Miss Anne Lister" et, plus récemment, elle est apparue à la fois dans Blue Peter et dans "The Rob Brydon Show". "...aidée sans doute par les accompagnements de piano manifestement brillants d'Annabel Thwaite... un vrai plaisir." Dans ses cours MusicGurus — Learn Christmas Classics on Piano, Learn Classical Favourites on Piano et Growing Chamber Groups and Small Ensembles — Annabel partage la musicalité qui sous-tend cette carrière polyvalente. Tu apprendras à faire vivre au piano des pièces de Noël et classiques bien-aimées, à développer ton toucher et ton phrasé et, forte de son expérience primée d'accompagnatrice, à découvrir comment écouter, mener et jouer ensemble en faisant de la musique avec d'autres musiciens au sein de groupes de chambre et de petits ensembles. read more




