L'importance de la respiration

Annabel Thwaite
Annabel Thwaite

Lesson time: (3min 34sec)

Annabel explore comment les ensembles peuvent apprendre à utiliser leur respiration pour vraiment renforcer la cohésion au sein du groupe

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This lesson is part of the course Faire grandir les groupes de chambre et les petits ensembles
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Lesson transcript:

The Importance of Breath in Music

Here we're going to talk about breath. Breath is incredibly important. It's probably the first thing that you do in life, and it's the last thing you do in life.

Types of Breath

You have different types of breath:

  • Short, sharp breaths when you're getting anxious.
  • Slow, deep breaths when you're feeling the music in a more emotive way.

For me, breath is the common ground between a chamber group.

The Piano Trio

As a piano trio, this concept can work with any instrumentation. It's particularly interesting because the piano is a percussive instrument. Here, I'm talking about the anticipation of sound.

  • When the pianist plays a note, it sounds almost immediately.
  • With a string player, there's a slight delay.
  • With wind players, it will take even longer, they have to produce the breath into the reed or down the tube of the instrument.
  • The triangle in an orchestra, however, will sound straight on the beat.

Thus, we need to find common ground, and that's the breath.

Unconventional Piano Trio

I've created an unconventional piano trio. We've completely lost our peripheral vision and eye contact, but hopefully, we will achieve compatibility of breath.

I'm going to ask these fabulous musicians to play the beginning, and they will follow. Emily is going to take the lead slightly and will make them play the beginning just with her breath.

Experimenting with Breath

Beautiful.

You can even take it a step further and experiment with different types of breath.

  • Emily, you can take a short, sharp breath to convey anxiety or a more tense sound.
  • Alternatively, you might want a big, fat breath for a kind of mysterioso feel.

Anything you want!

Excellent! That was the short, sharp one.

You can, of course, experiment in numerous ways. If you are a wind group, then you want to be breathing in relatively the same places related to the phrase.

Conclusion

The essence of this step or idea is learning to be aware, opening the ears and being conscious of breath.

This awareness relates back to posture and the communication and awareness within the group.

About the instructor

Annabel Thwaite
Annabel Thwaite

Reconnue comme l'une des pianistes les plus polyvalentes et charismatiques de Grande-Bretagne, Annabel Thwaite mène une carrière variée de soliste, de chambriste, d'artiste de studio, de pédagogue et d'examinatrice, et a remporté tous les grands prix d'accompagnement, dont les prestigieux Kathleen Ferrier, Gold Medal et Richard Tauber Piano Prizes. Elle a collaboré avec des artistes de renom tels que Roberto Alagna, Bryn Terfel, David Kempster et "Only Men Aloud!" Annabel a enregistré pour Universal records avec le "Scottish Tenor", dont l'album a été nommé aux Classical Brit Award et passe régulièrement sur Classic FM. Deux fois accompagnatrice du Festival of Welsh Male choirs, ses concerts au Royal Albert Hall ont été enregistrés par Sain et diffusés sur S4C. Elle est aussi pianiste de séance pour le cinéma, ayant enregistré à Abbey Road la musique du film "Awake", de la série de la BBC sur Jane Austen "Emma", de "The Secret Diaries of Miss Anne Lister" et, plus récemment, elle est apparue à la fois dans Blue Peter et dans "The Rob Brydon Show". "...aidée sans doute par les accompagnements de piano manifestement brillants d'Annabel Thwaite... un vrai plaisir." Dans ses cours MusicGurus — Learn Christmas Classics on Piano, Learn Classical Favourites on Piano et Growing Chamber Groups and Small Ensembles — Annabel partage la musicalité qui sous-tend cette carrière polyvalente. Tu apprendras à faire vivre au piano des pièces de Noël et classiques bien-aimées, à développer ton toucher et ton phrasé et, forte de son expérience primée d'accompagnatrice, à découvrir comment écouter, mener et jouer ensemble en faisant de la musique avec d'autres musiciens au sein de groupes de chambre et de petits ensembles. read more

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