Leçon 20 sur 20Production musicaleBeginner

Finaliser l'enregistrement et conclusion du cours

Nikolaj Bjerre conclut le cours en examinant les formes d'onde de la batterie enregistrée pour vérifier des niveaux et une marge sains avant que tu n'enregistres ta propre batterie.

Extrait du coursEnregistre une batterie live comme un pro20 leçons (2h 11min)

Cette leçon fait partie du cours complet. 1 leçon est gratuite.

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Nikolaj BjerreVotre guruNikolaj Bjerre

Le contenu du cours

20 leçons (2h 11min) · 1 gratuites
    • 01. Comment repiquer une batterie de près, en enregistrant avec une configuration de 13 microphones

      14:49

    • 02. Récapitulatif : comment enregistrer une batterie avec 13 microphones

      2:25

    • 03. Types de micros et placement

      3:19

    • 04. Types de micros et placement

      Leçon gratuite

      7:33

    • 05. Type et placement des micros overhead

      3:50

    • 06. Micros d'ambiance : type et placement

      1:46

    • 07. Micros de toms : type et placement

      5:27

    • 08. Types de micros de salle et placement

      2:20

    • 09. Régler les niveaux du préampli

      15:29

    • 10. Prise d'enregistrement n° 1

      2:13

    • 11. Ajustements de la prise n° 1

      6:52

    • 12. Enregistrement de la prise n° 2

      2:09

    • 13. Finaliser l'enregistrement et conclusion du cours

      Tu es ici

      4:41

Transcription de la leçon

Music Lesson: Finalizing Drum Setup and Preparing to Record

Overview
All right, we're back! Let's have a look at the waveforms. I'm just going to try and make this a bit smaller so we can see all of them at the same time.

  • Waveforms Visibility
    Yeah, we've got all of the mics nearly there. There we go.

Analyzing the Kick Drum

As you can see, the kick drum sound looks pretty healthy now.

  • Key Points:
    • No overloading.
    • Plenty of headroom here , this is good!

Let's have a quick listen. That sounds good.

Snare Drum Check

The next one is the snare drum. I'm going to take a look at that now.

  • Adjusting Interface:
    Just going to make this so we can see how the mics interface with each other. That's all good.

Overall Setup Review

Everything looks pretty good here!

  • Mic Gain:
    We gained the whole mic up quite a bit. I might have gained it up a little too much, but it actually looks fine.

    I don't think it's going to overload. I was bashing as hard as I could almost, so I usually do that when I double-check the gain. I hit a little bit harder than I'm actually going to do when I start recording, just to be on the safe side.

Let's have a listen to that. Just mute the kick.

Ready to Record

That's sounding good , a nice and healthy signal.

All right, guys! We've set everything up now, and we're ready to record. I think Blair, who let us use his track, is going to be really happy with the sound.

  • Sound Quality:
    It sounds truly good, and we've got a nice full sound. You can listen to the stems as well! That will be downloadable, and you can check out the individual tracks and see how they sound for yourself.

Wrap-Up

To wrap up:

  • We set up the drum kit.
  • We set up the mics and chose the right ones for the right drum.
  • Connected them to the individual preamps.
  • Set the gain for a nice healthy signal and tweaked it a bit.

No overloading or phase issues, and after that, we can basically start recording.

Additional Notes on Production

There's a bit more to it than just recording the drums and having a clean sound. Most productions today involve a fair bit of processing on the drums.

In the next course, we'll take a look at:

  • How I process the drums.
  • Using compression and EQ.
  • Parallel compression to create a sound that will fit into a track.

This way, you can learn how to mix the drums into a track. Most of the time, simply putting a clean drum kit without any processing will not blend in , unless you're doing more jazzy, natural sounding music or folk. But even in that case, I would say there's a fair bit of stuff going on under the hood.

Closing

Thanks for tuning into the course! I hope you enjoyed it and can use some of the tricks and techniques I shared.

Now, go ahead and record some drums , have fun with it!

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Nikolaj Bjerre

Nikolaj Bjerre

Nikolaj Bjerre est un batteur et producteur danois établi aux Tileyard Studios de Londres, qui a travaillé avec des artistes et des groupes tels que Lamb, le Ian Siegal Band, Ella Eyre et Heather Nova. Son travail couvre la batterie en direct, la production, la programmation et l'écriture, passant avec aisance d'un jeu organique et racé à des styles électroniques de pointe, et il est endorsé par Sabian, Hardcase et Protection Racket. Dans ce cours, il te montre comment enregistrer une batterie en direct avec une qualité professionnelle.

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