Minor 7b5/7b9
Lesson time: (2min 24sec)
Voici une paire d'accords qui apparaissent souvent ensemble. Ils semblent très compliqués, mais ils sont en réalité assez faciles à gérer. Tu les rencontreras dans des morceaux comme Autumn Leaves et Black Orpheus (Morning of the Carnival)
Course preview
This lesson is part of the course Exploring Jazz Violin partie 2
Watch a preview of the full course below.
Lesson transcript:
Understanding Min 7B5 and 7B9 Chords
In this chapter, we're going to be looking at a pair of chords that often come together: Min 7B5 and 7B9.
They may look complicated, but they are actually quite easy to deal with. You'll come across them in tunes such as Autumn Leaves and Black Orpheus. These chords often occur in minor key songs.
Example in G Minor
For example, in the key of G minor:
- Instead of the typical minor progression (2-5-1):
- A minor 7, D7, G minor,
- you might encounter:
- A minor 7 flat 5, D7 B9, to G minor.
Minor 7 Flat 5 Chord
First, let's look at the minor 7, flattened fifth.
- This chord is an A minor 7 with the fifth flattened.
Here's how it breaks down:
- A minor 7: (show chord)
- A minor 7 with the fifth flattened: (show chord)
- D7, B9: (show chords)
Now, regarding D7, the ninth is the eighth. When it's flattened, it becomes that.
Arpeggio and Scale
The arpeggio and the scale will be as follows:
The reason these chords work well together is that their scales coincide, as I'll demonstrate with the chords.
Riff Example
Here's a riff you could use over these two chords.
- It's not necessary to follow the same scale through the sequence.
- Instead, you can use a separate scale or arpeggio for each chord.
Alternative Approach
Another approach to these chords is to play the minor blues scale of the I chord, which is G minor.
About the instructor

Chris Haigh est violoniste professionnel depuis 25 ans et possède une expérience dans de nombreux genres. Il a joué sur plus de 75 albums, aux côtés d'artistes comme Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway et Steps. Il a joué du swing et du jazz avec The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London et les Quecumbar Allstars, et dirige un ensemble de swing soviétique à sept musiciens, The Kremlinaires. Chris donne des cours et des ateliers sur la technique du violon jazz et a enseigné le violon jazz aux universités de Middlesex, Brunel et Newcastle ainsi qu'au Truro College. Parmi ses ouvrages figurent neuf livres consacrés au violon, dont The Fiddle Handbook. Il anime également Fiddling Around (fiddlingaround.co.uk), sans doute la source d'information sur le violon la plus complète et la plus consultée du web. read more




