Réflexions finales, conseils et astuces

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Chris HaighLe contenu du cours
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01. Réflexions finales, conseils et astuces
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Final Thoughts on the Course
So we've got to the end of the course, and I hope you are still in one piece.
You may have taken a week or a couple of weeks to do this, but remember:
- The work involved in actually mastering it is a matter of months, if not years.
- Don't think that going over things a couple of times is enough.
- You really have to go over things over and over again and apply everything that you've learned not just to one tune, but to all of your tunes.
Develop Your Repertoire
It's crucial to develop your repertoire as much as possible. This way, you're not just relying on the tunes from this course, but are also able to play tunes that are standards that lots of other people know.
Source Material
All of what we've been doing has come from this book, Exploring Jazz Violin.
- The first half is what we've covered in this course.
- There will be another half coming in the form of videos later on, which will cover the difficult and dangerous topic of chords, something we've mostly avoided so far.
This is a very important topic that you will definitely need if you're going to pursue jazz.
We will be looking specifically at stuff from Smith and Jean Leponti, who represents a much more modern style of player.
Listening and Learning
In the second course, spend as much time as you can:
- Listening to other players
- Going out to see live performances
You can check out my website, fiddlingaround.co.uk, which has lots of information on jazz violin and indeed on a whole lot of other different styles of fiddle, which I'm sure you'll find interesting.
Goodbye, and see you in the next course!
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Chris Haigh est violoniste professionnel depuis 25 ans et possède une expérience dans de nombreux genres. Il a joué sur plus de 75 albums, aux côtés d'artistes comme Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway et Steps.
Il a joué du swing et du jazz avec The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London et les Quecumbar Allstars, et dirige un ensemble de swing soviétique à sept musiciens, The Kremlinaires.
Chris donne des cours et des ateliers sur la technique du violon jazz et a enseigné le violon jazz aux universités de Middlesex, Brunel et Newcastle ainsi qu'au Truro College. Parmi ses ouvrages figurent neuf livres consacrés au violon, dont The Fiddle Handbook.
Il anime également Fiddling Around (fiddlingaround.co.uk), sans doute la source d'information sur le violon la plus complète et la plus consultée du web.





































