BONUS : Masteriser ton morceau et le mettre en ligne sur Soundcloud

Avec
John WatsonJohn Watson applique un mastering rapide à ton morceau terminé dans Ableton Live, puis le met en ligne sur SoundCloud.
Le contenu du cours
14 leçons (2h 26min) · 2 gratuites
01. Premiers pas & installation
3:21

02. Gérer une bibliothèque de samples
Leçon gratuite4:34

03. Préférences d'Ableton
1:14

04. Utiliser des samples : les périphériques Simpler et Sampler
7:04

05. Utiliser des samples dans ton morceau (rogner, étirer, accorder, égaliser)
12:56

06. Ajouter des cordes et des flûtes samplées
7:28

07. Ajouter un rythme samplé : kicks et snares
25:07

08. Échantillonner des instruments externes - boîte à rythmes et synthé
12:28

09. Construire les parties dans la vue Session
13:55

10. Enregistrer le morceau dans la vue Arrange
4:34

11. Peaufiner la structure du morceau
5:35

12. Mixer le morceau : les effets
21:24

13. Ajustements finaux
13:14

14. BONUS : Masteriser ton morceau et le mettre en ligne sur Soundcloud
Tu es ici13:31
Transcription de la leçon
Mixing and Mastering Process
Okay, so welcome back! I'm happy with the mix now, and I think it's time to commit to mixing it down and giving it a rough master.
Finding the Right Section
First off, I'm coming to the busiest section in the track. Having created this myself, I know that it's going to be this section here. Visually, I can tell there's the most amount of things happening, so this is going to be the densest part and thus the loudest part of the track.
I'm going to loop this section up, and the first thing I want to look at is the master output:
- Current Level: -4 dB below zero
- Headroom: Fair amount present
At this stage, I don't want to see levels really high or experiencing digital clipping. Throughout the mixing process, I've kept the volume levels low because the mastering will make everything sound louder, polish the track, and enhance professionalism.
Using the EQ8
Let's go to this section and load up the EQ8. This is essentially a rough mastering session, good enough for SoundCloud, social media, and playing in bars and clubs.
-
Engage Oversampling: This allows for precise frequency analysis.
-
Frequency Content Overview:
- Low frequency energy is down low.
- Highs are up top.
-
Low Cut Filter:
- Cuts off frequencies below 30 Hz to avoid unwanted sub-frequencies that can sound muddy when played loudly.
-
Adjusting Bell Curve:
- Set a bell curve and tighten the Q.
- Raise the gain level and sweep through to find problem areas.
- Scale adjustment to 200% reveals a resonant area.
- Drop back to 100% and widen the Q to manage the ringy frequencies.
-
Boosting Mid-range Frequency:
- Add a little more mid-range frequency and widen the Q to brighten up the track.
Adding Compression
Now, let's bring up a compressor. I'll use the glue compressor, which works well on buses and mix-downs.
-
Set Ratio:
- Keep it low at 2 for gentle processing.
-
Adjust Release and Attack Times:
- Set release time fairly fast.
- Fast attack to compress a little of the music, but not heavy-handed.
-
Second EQ Stage:
- Add a second EQ after the compression, now in mid-sides mode, to sort stereo information.
Mid-Sides EQ Adjustment
-
Monitor Mono and Stereo:
- Focus on removing low frequency stereo information.
- Apply a low cut at about 140-150 Hz.
-
Adjust High Frequency Mono Information:
- Calm and dip the mono information in the high frequency end.
- Add a bit of air in the stereo (left and right sides).
This helps the track's overall perception when played out, giving control over low frequency energy.
Employing the Limiter
The next stage is using the limiter to reduce the dynamic range of the track and to amplify the overall volume.
-
Set Ceiling:
- Around -0.09 dB, ensuring we don't exceed a certain level.
-
Gain Adjustment:
- Increase the gain while maintaining sound dynamics, effectively squashing the track a bit.
-
Utility Volume Control:
- Give a touch of volume boost before reintroducing the limiter to prevent overuse.
Final Check and Export
Let's take a few steps back and listen to the other elements, particularly the strings. I'm confident this mix is good enough for SoundCloud and live play.
Reverb and Effects Monitoring
As we wrap up, it's important to watch for reverb tails and other effects that could extend the track's length:
- Adding Nodes on Master Volume Track:
- Create a fade to ensure smoothness.
Exporting the Mix
Now, we're ready to export the final piece:
-
Go to File:
- Select Export Audio/Video.
-
Bit Depth:
- Change it to 16 bits for CD standard (44.1 kHz).
-
Dithering Process:
- This helps smoothen artifacts when downsizing from higher bit depth to CD standard.
-
Finalizing Export Settings:
- Check "Upload to SoundCloud."
- Name: John Mix
- Save to the correct folder (desktop, in this case).
Ableton will render this mix down into one stereo audio track and upload it to SoundCloud.
For a deeper dive into how I created this track, check out my courses at musicgurus.com. You can also contact me for further feedback on your music or any questions about the courses. Best of luck!
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Après un stage auprès de Dave Allen, producteur de Depeche Mode et The Cure, John a eu envie d'étudier la Music Technology à Londres. Sa carrière musicale a décollé après une signature réussie chez CookShop Records, où il a sorti 9 singles et un album en 2007 salué par Q, Uncut et Lowdown Magazine, en plus d'être diffusé sur XFM et Radio One.
John a commencé à se former comme ingénieur du son au studio Bonafide en 2005, où il a affiné son talent, avant de fonder Jackdaw Recordings plus tard la même année. Il a collaboré avec de nombreux artistes à succès et, en 2007, a commencé à jouer pour le musicien pop Patrick Wolf, se produisant dans des salles de premier plan au Royaume-Uni et à l'international — dont The Astoria et le Shepherds Bush Empire.
Depuis son studio londonien, John compose désormais de la musique, avec deux autres sorties chez CookShop, assure l'ingénierie du son pour des artistes en vue et conçoit le design sonore de publicités télévisées, de films, de pièces de théâtre et de vidéos d'entreprise.
Ce mélange rare d'auteur-compositeur, de producteur et d'ingénieur de studio en activité est précisément ce que John apporte à son enseignement. Dans Creative Composition & Production in Ableton Live et Creative Sampling & Production in Ableton Live, il te montre comment il transforme des idées brutes en morceaux finis, prêts à sortir — l'écriture, le sampling, le design sonore et le savoir-faire concret de l'ingénierie derrière un disque professionnel.












