Lección 17 de 20TrombónBeginner

Temas tradicionales y tailgating

Matt Hanzelka y Joe Goltz profundizan en las raíces gospel de Nueva Orleans del brass band y en la técnica de trombón tailgating, que se desliza alrededor de los acordes.

Parte del cursoMusicalidad e improvisación de brass band con Youngblood20 lecciones (3h 4m)

Esta lección forma parte del curso completo. 2 lecciones son gratis.

desde13 US$/mes

Explorar el curso
Cancela cuando quierasReembolso en 30 días
Youngblood Brass BandTu gurúYoungblood Brass Band

Qué incluye el curso

20 lecciones (3h 4m) · 2 gratis
    • 01. Trombón con Joe Goltz

      5:37

    • 02. El papel del trombón, la articulación y los estilos de música agresivos

      6:35

    • 03. Temas tradicionales y tailgating

      Estás aquí

      7:44

    • 04. ¿Partitura o tocar de oído?

      1:32

Transcripción de la lección

Exploring Tailgating in Brass Band Music

Introduction

So we just sort of gave you an example of a modern equivalent of aggressive trombone. But getting back to the roots of this band, it basically comes out of the gospel tradition in New Orleans.

Influences and Examples

  • Gospel Roots: This style is deeply rooted in gospel songs like "I'll Fly Away" and "When the Saints Go Marching In."
  • Traditional Sound: You often hear a melody with instruments like a clarinet dancing over the top, while the trombone slides around the chords below.

The Tailgating Technique

We're going to take a stab at tailgating with "I'll Fly Away," a gospel tune.

Why Traditionals?

  • Learning Medium: For those newer to brass band music, traditionals are a great medium for trombonists to learn an entire tune.
  • Melodic Opportunities: In traditional brass band settings, everyone plays melodies and harmonies.

Playing "I'll Fly Away"

We'll go through the first part of the form. I'll take a pass at the melody, then Joe, and then we'll play part two of the song.

Tailgating Explained

  • Definition: Tailgating involves outlining chords in the song while not stepping on the melody. It's about filling space in the tune.
  • Approach:
    • Listen for gaps in the melody.
    • Cover those gaps for a bar or two, addressing any rhythmic harmonies or extensions that might be missing.

Melodic Inflections

When performing a gospel tune, it's essential to add inflections, like the way singers might inflect their voices melodically. For example:

  • Vocal Style:
    • Instead of simply singing "Oh, I fly away," they might use variations like "Oh, I, oh I fly away, oh way I O."

Playing with Purpose

  • Collaboration:
    • Knowing your partner instrument, usually a trumpet or a saxophone, helps you know when to jump in.
  • Flexibility:
    • Bounce between harmonic, melodic, and established bass lines.

Becoming a Better Player

Engaging in tailgating makes you listen to everything and understand every part of the song. It's easy to get lost in new music, but this practice helps you identify ideas and feel the rhythm in a flexible way.

Conclusion

The tailgating style offers trombonists a fantastic opportunity to explore the sounds of their instrument in a dynamic rhythmic setting. Embrace the chance to float with the music and fill in the gaps while contributing to the overall sound of the band!

Let's dive in and explore the richness of this tradition together!

13 US$/mesSuscripción

20 lecciones

3h 4m de lecciones en vídeo estructuradas

Funciones de vídeo avanzadas

Ralentiza, repite un pasaje, sigue la partitura

Móvil, tablet y ordenador

Practica donde quieras

Garantía de satisfacción 100%

30 días de garantía de devolución

Conoce a tu gurú

Youngblood Brass Band

Youngblood Brass Band

Youngblood Brass Band fusiona los metales sin concesiones de Nueva Orleans con la energía y el lirismo del hip-hop. Procedente de Madison, Brooklyn, Minneapolis y Chicago, este grupo de diez integrantes ha girado por todo el mundo desde 2000 y ha colaborado con figuras como Questlove y Talib Kweli. Se sienten igual de cómodos liderando una banda de marcha con sus propias composiciones que encabezando un festival de punk. En MusicGurus desglosan su sonido que mezcla Nueva Orleans y hip-hop: cómo componen y arreglan para los metales, el vocabulario rítmico y armónico que lo mantiene todo unido, y cómo tocar una línea de viento como parte de una sección compacta, incluidas las partes completas de su tema 'Brooklyn'.

Youngblood Brass Band
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Aprende con Youngblood Brass Band y cientos de otros profesores

Acceso ilimitado, con garantía de devolución

13 US$/mes

Suscripción