Escala de blues con acordes de novena
Lesson time: (3min 24sec)
Ron Sayer convierte las formas de armonía por acordes de las lecciones anteriores en acordes de novena, moviendo una sola nota para añadir un color más rico a tu blues.
Course preview
This lesson is part of the course Pensar fuera de la caja 2: ¡y allá vas!
Watch a preview of the full course below.
Lesson transcript:
Chordal Harmony and Ninth Chords
Well, hello there!
Hopefully, you enjoyed that last lesson on chordal harmony and moving around a blues scale. If you did enjoy the lesson, this one hopefully will make you smile as well.
Introducing Ninth Chords
Basically, it's a very, very similar concept:
- Instead of using that chordal harmony chord, you're going to move one of the notes up.
- It's only one note that changes, but it becomes a ninth chord.
If you remember a few lessons ago, we looked at sliding sixth to ninth chords. This concept is sort of a mixture between both of those lessons.
Playing the A9 Chord
Here's what you're going to do:
- Play the ninth chord by positioning your fingers as follows:
- Fifth fret on the D
- Fourth fret on the G
- Fifth fret on the B
- Fifth fret on the E
So, there's our A9 chord.
Using the Blues Scale
The same concept applies:
- You'll be playing a blues scale, and your top note is the one you need to watch.
- Follow the top note while playing a blues scale in ninth chords over the top.
It sounds slightly different from the previous lesson using the stack nine or chordal harmony, but it has a definite flavor to it.
Jamming It Out
Okay, let's have a little go and jam over that then.
- Same thing: Vamp on the A.
- Count: 1, 2, 3.
That's some idea of ways you can have fun with this!
Practical Application
It's something that you can use when playing:
- A slow blues
- Some kind of funky groove
It always sounds quite nice if you're actually coming down to play that. It's not one that really suits blasting away, but if you have a section in the song where you bring it down, it always works spooky.
Okay, hope you enjoyed that!
About the instructor

Ron Sayer es un guitarrista de guitarristas del circuito de blues del Reino Unido y mentor de intérpretes como Oli Brown y Sol Philcox. Ha sido nominado cuatro veces en los British Blues Awards -por el álbum 'Better Side', el single 'Don't Make Me Stay' y su coautoría en 'Here I Am' de Oli Brown- y ha ganado el premio a Guitarrista del Año. En sus cursos desglosa el fraseo, el tono y el feeling que hay detrás del blues eléctrico como solista. read more




