La escala de blues híbrida

Con
Ron SayerRon Sayer superpone las escalas de blues de La menor y Fa sostenido menor en una única escala híbrida que puedes tocar sobre un blues de 12 compases.
Qué incluye el curso
12 lecciones (1h 9m) · 1 gratis
01. Formas de escalas pentatónicas y de blues: un repaso
Lección gratis9:12

02. ¡Una forma pentatónica diferente!
5:10

03. Añadir la 5ª bemol y la 6ª mayor a la escala pentatónica
5:10

04. Mezclar pentatónicas mayores y menores.
3:46

05. La escala de blues híbrida
Estás aquí4:41

06. Usar double stops
4:27

07. Double stops con notas de paso
6:35

08. Formas de tocar: acordes de séptima
4:18

09. Formas de tocar: Acordes de novena
4:49

10. Acordes chulos
10:42

11. Variaciones de turnaround
5:25

12. RIFF EXTRA: Aprende a tocar Pride & Joy de Stevie Ray Vaughan
5:30
Transcripción de la lección
Hybrid Scale Lesson
What I want to look at now is something a bit special: the hybrid scale.
Overview
I'm going to take the A minor blues scale and the F sharp minor blues scale and overlay them. This works quite well if you can get your head around the scale itself.
The Scale
So, what you're going to be using is the following scale:
- Starting on F sharp.
- This is, believe it or not, a minor blues scale and F sharp minor blues scale at the same time. Sounds like a weird idea, but it actually works in practice, as long as you use your ears to guide you during the 12-bar progression.
Scale Pattern
I'll play it once more:
- Fret 2, 3, 4, 5 on the E string.
- Then, you move over and play every note between the second and the fifth fret.
- After that, play 2, 4, 5.
- Then, it mirrors itself on the next three strings by going 2, 4, 5.
- On the B string: 2, 3, 4, 5.
- Finally, on the G string: 2, 3, 5.
So the sequence is:
- 2, 3, 5
- 2, 3, 4, 5
- 2, 4, 5
- 2, 4, 5
- 2, 3, 4, 5
- 2, 3, 5
Demonstration
I'm going to demonstrate that over the same little shuffle that we were playing earlier. You can have a listen and see what sort of thing you can come up with over this. It's quite a fun scale that throws in a lot of weird notes, but sounds pretty cool, I think.
Let's Play
So, yeah. Let's do the shuffle again:
A one, a two, a one, two, three.
Okay, there you go!
Experimentation
There's some of it. It's obviously a bit silly, but you can muck around with it a lot and get quite a lot out of that if you experiment with it.
In particular, the chromatic notes on the B and on the A, for example, sound quite nice.
So, give that a go and see what sort of mileage you can obtain from that!
12 lecciones
1h 9m de lecciones en vídeo estructuradas
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Conoce a tu gurú

Conoce a tu gurú
Ron Sayer es un guitarrista de guitarristas del circuito de blues del Reino Unido y mentor de intérpretes como Oli Brown y Sol Philcox. Ha sido nominado cuatro veces en los British Blues Awards -por el álbum 'Better Side', el single 'Don't Make Me Stay' y su coautoría en 'Here I Am' de Oli Brown- y ha ganado el premio a Guitarrista del Año. En sus cursos desglosa el fraseo, el tono y el feeling que hay detrás del blues eléctrico como solista.












