Añadir la 5ª bemol y la 6ª mayor a la escala pentatónica
Lesson time: (5min 10sec)
Ron Sayer añade la 'blue note' de la 5ª bemol y la 'nota B.B. King' de la 6ª mayor a la escala pentatónica, ampliando tu vocabulario de blues sobre un 12 compases.
Course preview
This lesson is part of the course Thinking Out Of The Box 1: Opening The Lid
Watch a preview of the full course below.
Lesson transcript:
Adding Blue Notes to Your Scale
The next step from that is we're going to stick in a blue note.
The Scale with a Flattened 5
- Play the scale with a flattened 5 in it.
- All you're doing is taking that pentatonic scale and adding in a flat five.
Here it is:
- Now, mirror that shape on the next two strings.
I'll play that once more.
Practicing the 12-Bar Sequence
Let's quickly go around a 12-bar sequence, showing you how to throw that blue note in there.
Count:
- 2, 3, 4...
Lovely!
Again, that includes a blue note.
Introducing the B.B. King Note
Now, I want to throw one more note into that scale, which is a real favorite, it's called the B.B. King note, which is the major sixth.
- This note makes the scale sound a lot more interesting.
I'll run through that for you:
- F sharp is what we're adding to the scale.
Let me show you where you can use that over a trill bar.
Count:
- Let's go again.
- 1, 2, 3... Sa!
Yeah, okay, cool!
Summary
So that's basically given you a pentatonic scale with a couple of added notes, which take you outside the box.
- Give that a go!
About the instructor

Ron Sayer es un guitarrista de guitarristas del circuito de blues del Reino Unido y mentor de intérpretes como Oli Brown y Sol Philcox. Ha sido nominado cuatro veces en los British Blues Awards -por el álbum 'Better Side', el single 'Don't Make Me Stay' y su coautoría en 'Here I Am' de Oli Brown- y ha ganado el premio a Guitarrista del Año. En sus cursos desglosa el fraseo, el tono y el feeling que hay detrás del blues eléctrico como solista. read more




