Lección 9 de 26CantoIntermediate

Encuentra un pulso

Vamos a explorar distintas formas de sentir el pulso de una frase.

Parte del cursoLicks, riffs y runs para cantantes de pop26 lecciones (1h 50m)

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Jono McNeilTu gurúJono McNeil

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26 lecciones (1h 50m) · 1 gratis
    • 01. Encuentra un pulso

      Estás aquí

      5:09

    • 02. Groove

      8:37

Transcripción de la lección

Lesson on Rhythmic Pulse and Phrasing

In this lesson, we're going to be talking all about rhythmic pulse, or what some people call rhythmic phrasing. I think it's one of the big secrets about vocal style that many singers get wrong. Today, we're going to experiment with placing our pulse, or accents, on different parts of these phrases.

Special Guest

Today, it's going to be quite practical as we work with a backing track. I also have a very special singer with me, Alicia, who will help with some of our phrases. For you girls who are suffering from my male voice, you've got a girl to lead you through the exercises!

Understanding Rhythmic Pulses

Rhythmic pulses are all about emphasizing a certain note in a phrase. When done correctly, the phrase can achieve:

  • A sense of forward motion
  • An ability to travel through the track

It really feels good! You often see people start moving, shaking their heads, or getting their shoulders going when they feel that phrase. This is a great sign because it means they're feeling it.

If we place that pulse in the right part of the phrase, it can make the phrase come alive.

Learning the Phrase

Now, let's teach you the phrase. There's a small lyric to this one:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel, that's all."

You don't need to write it down; you can memorize it. We start on E at the top, and it goes like this:

1, 2, 3, 4.

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Try Singing with Me

Now let's do it together:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Alicia might get you to join me on this one:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

You're doing great! One last time:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Practicing with the Backing Track

Now that you've learned the phrase, let's do it with the backing track. I'm going to add some pulses, and I'll tell you to accent certain places in that phrase.

Backing Track Introduction

Here's our backing track, it's going to guide us through our pulse exercises today. Remember, your first note is E:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Try it again. Here we go:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Well done! Now that you know the melody, we're going to add a pulse to the fourth quaver of every beat. It's going to sound like this:

"I don't know how to say it, but I.
I think I'm falling for you."

Are you ready? Here we go:

2, 3, and...

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Doing well! Let's try it again:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

A little hard at first, but try it again:

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Well done! It sounds great.

Experimenting with Pulses

For this next part, we're going to add a pulse to every second part of the beat. Let's restart the track and give this a shot!

New Backing Track

Here we go! Now we're accenting every second quaver (or eighth note) of the bar. Ready? Here's your first note:

2, 3, 4...

"I don't know how to say it,
But I think I'm falling for you.
It's just the way that I feel."

Great! Well done.

Additional Experimentation

You can experiment with all of these techniques. You might want to try:

  • Adding an accent to every four notes
  • Adding an accent to every two notes

These exercises can help liven up a phrase and make it feel more exciting rhythmically.

Give it a shot! Try it with the backing track and see how you go.

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Jono McNeil

Jono McNeil

Jono McNeil ha ofrecido coaching vocal a cantantes profesionales, artistas contemporáneos y vocalistas en una gran variedad de puestos influyentes dentro de la industria del entretenimiento durante más de 20 años.

Trabaja como coach vocal en diversos programas de televisión, entre ellos The Voice Kids, The Voice UK, Little Mix The Search, The Masked Singer, Wedding Day Winners y Change Your Tune, y prepara a artistas de gira como JLS, New Rules y July Jones, por nombrar solo algunos.

Artista y cantante por derecho propio, Jono también ha actuado con Michael Buble, Paloma Faith, Josh Groban, Nelly, Jamie Cullum, Lemar, George Ezra y Jocelyn Brown, y tiene varios álbumes originales disponibles en las plataformas de streaming.

Combina su experiencia sobre el escenario y en el estudio de grabación con un profundo conocimiento de la función vocal para ofrecer experiencias de coaching eficaces e inspiradoras.

Anteriormente fue jefe de canto en la Academy of Contemporary Music (ACM), donde impartía clases y diseñaba contenidos para el plan de estudios de canto de la titulación en música popular, y ahora sigue trabajando como examinador externo para otras instituciones académicas como el Leeds Conservatoire.

Apasionado por las posibilidades de la música popular y del arte, persigue investigaciones y estrategias innovadoras para hacerlas realidad; entre sus titulaciones académicas figuran una licenciatura en Jazz y un máster en Pedagogía Vocal.

En Licks, Riffs & Runs for Pop Singers, Jono te muestra exactamente cómo añadir los runs, riffs y licks ágiles que definen el canto pop moderno, para que puedas adornar una melodía con confianza y hacerla tuya.

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