Young Thing: enseñanza
Lesson time: (6min 17sec)
Chet Atkins enseña ‘Young Thing’, una pieza de fingerstyle que escribió para su colega guitarrista Bill Young, construida sobre un bajo boogie-woogie.
Course preview
This lesson is part of the course La guitarra de Chet Atkins
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Lesson transcript:
Young Thing - A Tribute to Bill Young
That was Young Thing. I wrote that for a finger picker over in North Carolina. His name was Bill Young, and he got the dreaded disease ALS (Lou Gehrig's disease). I played that tune for him before he died, and he loved it.
Inspiration Behind the Title
I called it Young Thing for Bill Young. It's difficult to play. I don't know why I keep writing these things that are too difficult for me to play. But anyway, I just play a boogie woogie bass.
Playing Techniques
- While I'm doing that, I make like a piano player and play C9.
- Once in a while, I do that; I think I leave out a bass note when I do, but it's effective.
Making It Work
This is a little difficult here. Someday, I'll make up another lick that'll be easier, but right now, I don't know what.
Then we go to the bridge, which I like the voicing on.
"I like that."
And then we play with a bass line. It's difficult, but you can do it. If I can do it, anybody can do it. Maybe you can make up some better licks of your own, you know.
Transitioning Licks
After that, I play. I can't play it down here, so I have to adjust. And then we do a little thing like in Pine Tops Boogie to give it a little relief and get out of the blues mode medium for a minute.
- It's a pickup note and one all the time.
- You keep that finger anchored.
A little Jerry Reed there.
Revisiting the Bridge
And then what comes next? Yeah, and then the bridge again.
"Young thing, a young thing."
Then back to the chorus. See how you do that with a little finger? The Jerry Reed thing again.
Concluding Thoughts
And then, let's see, it's an augmented chord. I usually play that fast, like I heard Pat Donahue play a tune like that. And who else? Someone else, Brad Jones. So I made up my own because I liked it.
Then I listened to theirs again, and mine was not like theirs. I was happy about that, so hope you like it!
About the instructor

Conocido como «Mr. Guitar», Chet Atkins es el instrumentista solista más grabado de la historia de la música. Su característico estilo de púa se inspiró en Merle Travis, con otras grandes influencias como Django Reinhardt, George Barnes, Les Paul y, más tarde, Jerry Reed. Ese sello inconfundible en la digitación y su musicalidad le granjearon admiradores dentro y mucho más allá de la escena country, tanto en Estados Unidos como a nivel internacional. Como músico de estudio, su forma de tocar enriqueció discos de Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams y decenas de otras leyendas de Nashville. Su estilo llegó a influir en grandes del pop como Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson y Eddie Cochran, así como en miles de guitarristas de country. Ganó nueve CMA Awards como Musician of the Year, cuatro galardones de la encuesta de jazz de Playboy y trece Grammys. Con más de 35 millones de copias vendidas de sus más de 75 lanzamientos originales, Atkins también recibió el Grammy Lifetime Achievement Award. Ayudó a crear el Nashville sound, un estilo de música country que debía casi tanto al pop como a los honky tonks, y sin él el country tal vez nunca habría dado el salto a las listas de pop en los años 50 y 60. Aprende del maestro: ¡solo tienes que hacer clic en uno de los cursos de esta página! read more




