The Isley Brothers - Footsteps in the Dark

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Max SedgleyMax Sedgley desglosa el break de batería de 'Footsteps in the Dark' de los Isley Brothers - un bombo y caja sencillos con un charles saltarín - un groove sampleado en decenas de temas de hip-hop.
Qué incluye el curso
19 lecciones (0h 56m) · 2 gratis
01. Consejos de práctica para los breaks de batería
Lección gratis3:49

02. The Isley Brothers - Footsteps in the Dark
Estás aquí4:33

03. The Isley Brothers - Footsteps in the Dark (vista superior)
0:55

04. Barry White - I'm Gonna Love You A Little Bit More
4:19

05. Barry White - I'm Gonna Love You A Little Bit More (vista superior)
0:55

06. Skull Snaps - It's A New Day
2:57

07. Skull Snaps - It's A New Day (vista superior)
0:54

08. Melvin Bliss - Synthetic Substitution
7:16

09. Melvin Bliss - Synthetic Substitution (vista superior)
0:54

10. The Winstons - Amen, Brother
6:06

11. The Winstons - Amen, Brother (vista cenital)
1:20

12. Banbarra - Shack Up
4:17

13. Banbarra - Shack Up (vista superior)
1:10

14. Marva Whitney - Unwind Yourself
5:06

15. Marva Whitney - Unwind Yourself (vista superior)
0:50

16. Chuck Brown & The Soul Searchers - Ashley's Roachclip
3:28

17. Chuck Brown & The Soul Searchers - Ashley's Roachclip (vista superior)
1:19

18. Steve Miller Band - Take The Money And Run
5:28

19. Steve Miller Band - Take The Money And Run (vista cenital)
0:56
Transcripción de la lección
Music Lesson: Breaking Down "Footsteps in the Dark" by the Isley Brothers
Introduction:
So that was a break from a track called Footsteps in the Dark by the Isley Brothers. Again, another well-used hip hop tune.
Overview of the Beat:
We're going to start with this one because it's quite simple, although there are a couple of little twists that make it interesting:
- Kick and Snare Pattern:
- Classic 1 and 2 and 3 and 4:
- 1, 2, 1 and 3 on the kick drum
- 2 and 4 on the snare drum
- Classic 1 and 2 and 3 and 4:
That's all that happens with the kick and snare.
The Hi-Hat's Role:
The interest comes from the hi-hat, which:
- Skips around and doesn't play all the beats you might expect.
- Instead of a straight eighth note pattern, it mixes up doubles and leaves out beats in certain places, creating a "skipping" effect.
This is a really good example of how a couple of alterations on the hi-hat can make the whole beat sound different upon analysis.
Benefits of This Break:
This break is ideal for:
-
Hi-Hat Technique Development:
- It helps you get a feel for where to put beats in or drop beats out.
- You can start slowly and speed up to improve your sticking on the hi-hat.
-
Coordination Practice:
- While the kick and snare remain rock solid on the 1 and 2, 3 and 4, the hi-hat plays off-beats, challenging your coordination by getting your different body parts to do different things.
Technical Tips for Hi-Hat Playing:
When playing this particular break, consider the following:
-
Elbow and Wrist Position:
- Hold your elbow slightly higher and keep your wrist up.
- This position allows for better bounce on the hi-hat.
-
Playing Technique:
- You want to strike the top of the hi-hat, as playing on the side can reduce bounce.
- Hold the stick between your thumb and index finger, with your other fingers wrapped around the bottom.
Conclusion:
Speeding it up is an excellent way to significantly improve your right-hand hi-hat technique.
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Max Sedgley es un productor, batería y DJ británico con una titulación en música clásica. Sus composiciones han aparecido en numerosos programas de televisión y anuncios, incluida la serie Six Feet Under, y fue el batería del productor de drum & bass Roni Size. También graba bajo el nombre de Cadien.
En sus cursos enseña batería desde cero -el manejo de las baquetas, los grooves esenciales y el patrón de rock de ocho notas- así como los icónicos breaks de batería de los años 60 y 70 que se han sampleado en incontables discos modernos.











