Marva Whitney - Unwind Yourself

Con
Max SedgleyMax Sedgley desglosa el break de batería de 'Unwind Yourself' de Marva Whitney, donde un solo bombo por compás deja espacio para el juego entre hi-hat, caja y notas fantasma.
Qué incluye el curso
19 lecciones (0h 56m) · 2 gratis
01. Consejos de práctica para los breaks de batería
Lección gratis3:49

02. The Isley Brothers - Footsteps in the Dark
Lección gratis4:33

03. The Isley Brothers - Footsteps in the Dark (vista superior)
0:55

04. Barry White - I'm Gonna Love You A Little Bit More
4:19

05. Barry White - I'm Gonna Love You A Little Bit More (vista superior)
0:55

06. Skull Snaps - It's A New Day
2:57

07. Skull Snaps - It's A New Day (vista superior)
0:54

08. Melvin Bliss - Synthetic Substitution
7:16

09. Melvin Bliss - Synthetic Substitution (vista superior)
0:54

10. The Winstons - Amen, Brother
6:06

11. The Winstons - Amen, Brother (vista cenital)
1:20

12. Banbarra - Shack Up
4:17

13. Banbarra - Shack Up (vista superior)
1:10

14. Marva Whitney - Unwind Yourself
Estás aquí5:06

15. Marva Whitney - Unwind Yourself (vista superior)
0:50

16. Chuck Brown & The Soul Searchers - Ashley's Roachclip
3:28

17. Chuck Brown & The Soul Searchers - Ashley's Roachclip (vista superior)
1:19

18. Steve Miller Band - Take The Money And Run
5:28

19. Steve Miller Band - Take The Money And Run (vista cenital)
0:56
Transcripción de la lección
Music Lesson: Unwind Yourself by Marva Whitney
That was a break from a tune called Unwind Yourself by Marva Whitney.
Overview of the Break
The reason I've chosen this break is because there's only one kick drum in each bar. So, all you've got is a kick drum on the one and then nothing else, which is quite unusual for a drum break.
Key Features
-
Interplay Between Instruments
- The main feature about this break is the interplay between the hi-hat, snare drum, and the ghost notes on the snare drum.
-
Dynamics in Ghost Notes
- If I slow it right down, you'll see what I mean.
- The trick with this groove is to make the ghost notes and the beats on the two and the four of the snare drum dynamically as different as possible.
- This can simply mean playing them softer without lifting your wrist or your arm too much, just your wrist.
Techniques to Try
-
Playing Ghost Notes
- Try playing the ghost notes nearer the rim of the snare drum, maybe about 2 inches from the rim.
- This gives it a kind of ring and a slightly different tone compared to the notes played on two and four, which are more in the middle of the drum.
-
Practicing Speed
- This is another exercise that's good to practice by starting really slowly and gradually speeding up.
- This break is also used a lot in drum and bass because of the ghost note hi-hat thing going on, a popular characteristic of many breaks in that genre.
- Focus on maintaining an even sound while retaining the difference between the ghost notes and the beats on two and four.
Adding Complexity
- One other thing you could try with this break is to incorporate some left-hand doubles.
- Because the break is quite empty sounding, with only one kick drum at the beginning of each bar, you can fill in the beats a little more.
- This is a great way to integrate your double stroke rudiments, which always sound nice.
Example
If I play it really slowly, it would go something like this.
- You can even add more at the end to fill out the groove.
- This technique is a feature of many funky drumming styles and funk breaks that are then sped up to make drum and bass.
- The intricate ghost snare patterns are what make this break so interesting and why it has been used so much.
Marva Whitney, Unwind Yourself.
19 lecciones
0h 56m de lecciones en vídeo estructuradas
Funciones de vídeo avanzadas
Ralentiza, repite un pasaje, sigue la partitura
Móvil, tablet y ordenador
Practica donde quieras
Garantía de satisfacción 100%
30 días de garantía de devolución
Conoce a tu gurú

Conoce a tu gurú
Max Sedgley es un productor, batería y DJ británico con una titulación en música clásica. Sus composiciones han aparecido en numerosos programas de televisión y anuncios, incluida la serie Six Feet Under, y fue el batería del productor de drum & bass Roni Size. También graba bajo el nombre de Cadien.
En sus cursos enseña batería desde cero -el manejo de las baquetas, los grooves esenciales y el patrón de rock de ocho notas- así como los icónicos breaks de batería de los años 60 y 70 que se han sampleado en incontables discos modernos.











