Cuantización y flex-timing
Lesson time: (2min 5sec)
Course preview
This lesson is part of the course Composición en Logic: Mezcla, finalización y bounce
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Audio Editing Techniques
Okay, so I'm hearing just...
I'm gonna do a little bit of flex time audio on this because my bass seems to be slightly out of time.
Creation vs. Mixing Process
I'd normally reserve, I'm quite strict with keeping my processes,
the creation process in terms of sounds and everything,
and the mixing process, quite separate.
Any editing falls in the middle of this; you know, of the creation and the mixing side.
But occasionally I'll go in, you know, whilst I'm mixing and just tidy things up,
just clean things up a little bit.
So I'm just going to quickly do this.
Working with Kick Percussion
If I play that and give myself a kick percussion,
it's more just that section over here,
the first section. Let's have a quick look at that.
Okay, so drag this in a little bit.
Drag that... yeah, that sits a little bit better with the kick or with other bits of the cases.
Let's quickly hear it.
Final Adjustments
Okay, so I've got no side chaining on this bass.
I'm gonna just leave it like that.
About the instructor

Dov Waterman es compositor, pianista y productor. Ha escrito y diseñado el sonido de películas como After Earth, Terminator Genisys, Transformers: The Last Knight y The Snowman, y trabaja como editor de audio de bibliotecas de samples y diseñador de sonido con empresas como Native Instruments y SonoKinetic.Su serie Composition in Logic recorre la construcción de un tema de principio a fin en Logic Pro —desde las plantillas y el flujo de trabajo hasta la síntesis y la programación de ritmos, los efectos MIDI, la edición y la mezcla final— para productores que quieran convertir sus ideas en discos terminados. read more




