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Lesson time: (5min 8sec)
Dov Waterman muestra cómo una plantilla de Logic bien organizada, con los sonidos agrupados en pistas de carpeta y buses, te permite empezar a componer rápido en lugar de configurar todo desde cero.
This lesson is part of the course Composición en Logic: el proceso de escritura
Watch this lesson for free below.
Lesson transcript:
As I mentioned in previous videos, you need to make use of this creative time you have.
So, what I did with this track was really come up with sound ideas first. I started with a lot of sound design elements. Here's the breakdown of my approach:
Additionally, I include:
We'll look at these elements in depth, especially my use of various virtual and outboard synthesizers as sound design tools, rather than in a pop or rock context.
Now, I'm going to quickly open my hits and impacts folder.
To recap my template:
For example, the hits and impacts track is grouped into Bus 3 in my mixer.
I've applied a compressor over the entire bit because there are quite a lot of dynamics, as you'll hear.
Now, I'm going to solo this out and play the track from start to finish, so you can hear how it sounds. Here it goes.
Just to clarify, the levels were not mastered. This is not the mastered version; I sent them an unmastered version to the production house.
However, you will get the feel of it. There's a lot of sound design intertwined with orchestral and vocal elements.
Dov Waterman es compositor, pianista y productor. Ha escrito y diseñado el sonido de películas como After Earth, Terminator Genisys, Transformers: The Last Knight y The Snowman, y trabaja como editor de audio de bibliotecas de samples y diseñador de sonido con empresas como Native Instruments y SonoKinetic.Su serie Composition in Logic recorre la construcción de un tema de principio a fin en Logic Pro —desde las plantillas y el flujo de trabajo hasta la síntesis y la programación de ritmos, los efectos MIDI, la edición y la mezcla final— para productores que quieran convertir sus ideas en discos terminados. read more
