Lektion 19 von 21KlavierBeginner

Umbra Bella (Durchgang)

Talia Girton geht das Grade-1-Stück Umbra Bella durch und behandelt die Terzen und Quarten der linken Hand, die sich wiederholende Melodie der rechten Hand und seine Tonart F-Dur.

Teil des KursesPiano-Grundlagen: Harmonie & Vortrag21 Lektionen (0h 42m)

Diese Lektion ist Teil des vollständigen Kurses. 1 Lektion ist gratis.

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Talia GirtonDein GuruTalia Girton

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21 Lektionen (0h 42m) · 1 gratis
    • 01. Neue Tonleiter: C-Dur

      3:16

    • 02. Neue Tonleiter: a-Moll natürlich

      1:12

    • 03. Rockin Out (Durchgang)

      3:31

    • 04. Rockin Out (Performance)

      1:41

    • 05. Umbra Bella (Durchgang)

      Du bist hier

      4:14

    • 06. Umbra Bella (Performance)

      1:04

Transkript der Lektion

Final Piece: Umbra Brella

Congratulations! We're on the last piece of the course.

Overview

The next piece is a Grade 1 Rock School level song called Umbra Brella.

Left Hand

  • The left hand consists of:
    • Thirds and fourths played as whole notes.

Right Hand

  • The right hand features:
    • A melody that repeats itself twice throughout the piece.
    • A return in Bar 20 with a slightly different ending.

Key Signature

  • This piece is in the key of F major, which means that:
    • Every time you see a B, you need to play it as a B flat.

Technical Aspects

There's a fun new technical bit in this piece:

Spread Chord

  • Found in Bar 25.
  • Think of it as an extended broken chord.
  • Practice Tip: Start slowly and build your tempo as you gain confidence.
  • The spread chord is represented with a squiggly line from the treble clef down to the bass clef notes.

Accidentals

  • You'll notice many accidentals throughout the piece:
    • Accidentals refer to sharps and flats outside the key signature.
    • In F major, anything that's not a B flat is considered.
    • The most common accidental starting from the first bar is C.
    • Later, you will encounter E flat (EB) and what's called a natural symbol in Bar 19.
      • This symbol indicates that the accidental you played before (sharp or flat) will no longer be sharp or flat.

Finger Stretches

  • Pay careful attention to the last line, which includes:
    • Some big stretches for your fingers through an octave and even more.
    • Consider what fingers you use on each of these notes to ensure you can easily reach the higher pitches.

Practice Count

Let's have a look at what this sounds like.

I'll count to four:

  1. 2. 3. 4.
      1. Four.
      1. FOUR.
      1. four.
      1. FOUR.
    1. three. four.
    1. Three. four.
    1. three. Four.
    1. Three. Four.
    1. three. 4.
    1. Three. FOUR.
    1. Three. FOUR.
    1. Three. FOUR.
    1. Three. FOU.
    1. Three. 4.
    1. three. FOUR.
  2. One. two. three. four.
  3. One. two. three. four.
  4. One. two. three. three. four.
    1. two. three. FOUR.
    1. two. three. four.
    1. Two. Three. FOUR.
    1. two. Three. FOUR.
    1. two. three. FOUR.
    1. two. three. Four.
    1. two. Three. FOUR.
    1. two. three. FOUR. FOUR.
    1. two. Three. FOUR. FOUR.

Happy playing!

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Talia Girton

Talia Girton

Talia Girton ist Musikerin und beim HCPC registrierte Musiktherapeutin sowie Gründerin von The Cycling Music Teachers. Ihre Arbeit verbindet Musiktherapie, Beratung und Pädagogik, und sie unterrichtet international im Musiktherapie-Ausbildungsgang der UDELAS in Panama und wirkt zudem an der beruflichen Weiterbildung mit der European Piano Teachers Association (EPTA) mit. Auf MusicGurus unterrichtet sie die Kurse Piano Method und Piano Foundations und führt absolute Anfänger von den ersten Schritten über Rhythmus, beide Hände, Theorie bis zur Aufführung.

Talia Girton
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