Grooven mit Paradiddles

Mit
Harry PopeDas steckt im Kurs
15 Lektionen (1h 43m) · 3 gratis
01. BONUS: Das Schlagzeug aufbauen
Gratis-Lektion2:36

02. Lerne Harry kennen
Gratis-Lektion2:01

03. Mach dich mit deinem Kit vertraut
Gratis-Lektion13:15

04. Stock- und Fußtechnik
10:18

05. Der Basis-Beat
7:26

06. Viertelnoten und Achtelnoten
6:05

07. Den Beat variieren
8:06

08. Rudiment #1 - Single Stroke Roll
9:39

09. BONUS: Fills mit dem Single Stroke Roll
5:06

10. Rudiment Nr. 2 - Double Stroke Roll
7:11

11. BONUS: Fills mit dem Double Stroke Roll
4:14

12. Rudiment #3 - Paradiddles
5:53

13. Grooven mit Paradiddles
Du bist hier7:03

14. Sechzehntel und Verzierungen hinzufügen
7:28

15. Ride-Becken und offene Hi-Hat hinzufügen
7:08
Transkript der Lektion
Welcome Back!
I hope you're still enjoying these lessons. You made it pretty far!
Playing with Paradiddles
What we're going to do just now is play a little bit more with those paradiddles. So far, we've played them between the floor tom and snare drum.
Explore the Sounds
Once you've got the paradiddle sticking down, try moving your hands around. Here are some tips:
- Experiment: Move the first note of each paradiddle around the drum kit.
- Have Fun: Kick around the drum kit and enjoy the process. You'll discover some cool sounds!
- Learn from the Pros: Check out Steve Gadd, many of his grooves are based on paradiddles and are played exceptionally well.
Speeding Up the Paradiddles
I'll give you an example of what paradiddles can sound like when you speed them up and make them sound clean. It may not be as clean as his, but here's what I can do:
- About 60-70% of that is just right, left, right, right, left, right, left.
Introducing Semiquavers
Now, let's learn our first beat that incorporates semiquavers.
- Right-Handed Paradiddle on Beat 1
- Left-Handed Paradiddle on Beat 2
Practice Basic Beats
- Here's how it flows:
1, 2, 2, 3, 4
1, 2, 3, 4
One, two, three, four.
This sticking is quite simple, but it sounds interesting when we move our hands around.
Adding the Bass Drum
Once you've got this together, add the bass drum on the first semiquaver of beats one and three:
- 1, 2, 3, 4.
Understanding Accents
Now, let's learn about another musical term: Accent.
- An accent is a note that is louder than the others.
Accenting Paradiddles
For example, if I accent the first note of each paradiddle, it would sound like this:
- Right-Handed: Accent the first note.
- Left-Handed: Accent the first note.
For the groove: Accent every left-handed paradiddle's first note. This would look like:
- Left, Right, Left, Left, Left, Right, Left, Left
When the bass drum comes in (on beats 1 and 3), it accentuates the sound further.
Hi-Hat Accents
To create a nice accent on the hi-hat:
- Use the shoulder of the stick instead of the tip.
- Hit it against the side, not the top.
This technique produces a rougher and messier sound.
Turning Exercises into Beats
As you practice, you'll notice that what starts as an exercise can evolve into a cool beat to play.
- Practice It: You don't have to play it fast! Just enjoy the process.
- Add Paradiddles Occasionally: If you're feeling bored, incorporate paradiddles. They sound cool and will significantly enhance your playing!
Conclusion
That's some applications for the paradiddle. I hope you enjoy them, and I'll see you next time. Thanks!
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Lern deinen Guru kennen

Lern deinen Guru kennen
Harry Pope ist ein Londoner Schlagzeuger und Absolvent des Jazzprogramms am Trinity College of Music. Er hat mit der Brit-Award-Gewinnerin Eddi Reader, dem Gitarristen Jim Mullen, Graeme Duffin von Wet Wet Wet und der Royal Scottish National Orchestra Big Band gespielt. Sein Kurs für Anfänger beginnt beim Schlagzeug selbst – Haltung, Griff, Timing und deine ersten Grooves – in einem Tempo, das jedem passt, der zum ersten Mal die Sticks in die Hand nimmt.












