Die Melodie der rechten Hand im 'A'-Teil
Lesson time: (5min 13sec)
Tom Seals zerlegt die Melodie der rechten Hand im A-Teil von Duke Ellingtons 'Don't Get Around Much Anymore' am Swing-Piano.
Course preview
This lesson is part of the course Lerne Swing-Standards am Klavier mit Tom Seals
Watch a preview of the full course below.
Lesson transcript:
Don't Get Around Much Anymore - Music Lesson
This tune is Don't Get Around Much Anymore, the Duke Ellington standard. My grandad's big band used to play this song, and it's been in my set forever now. I've been so lucky over the past few years to have played with some incredible people.
Most recently, off the back of my Sky TV show, Anton Du Beke, Strictly Come Dancing judge, joined me on stage and sang this song with me. So, it's been a very special song to me. Like I say, my grandad's band used to play it, and now it's in my set. I sang it at Ronnie Scott's with some incredible people.
Introduction to the Tune
Anyway, I can't wait to teach you this tune. It's called Don't Get Around Much Anymore. It's got so many places you can go with it. One of my favorite things about it is the chromatic line in the middle, which replicates the horn section of a big band. It can be as simple or as complicated as you want it to be.
A Section - Vocal Line
Let's get stuck into it. We're going to start right at the top with the A section, the vocal line.
Lyrics Breakdown
- The line is: Missed the Saturday Dance
Notes for the Line
- The notes are as follows:
- E, D, C (5, 4, 3 in terms of fingers)
- Followed by: E, D, C, G, F, E
Finger Pattern
- Get that into your fingers: Five, four, three.
- Then: Three, two, one.
So it sounds like:
Ba ba doo da da da
- Then it does it again with the second line:
Missed the Saturday Dance.
Heard they crowded the floor
(Exactly the same line, repeat twice)
Next Lines
-
The next line: Couldn't bear it without you
- Notes: G, F, E, D, C (all the way down)
-
Singing along helps with the melody:
Couldn't bear it without you
ba ba da ba da
Jumping Octaves
Then we're going to jump up an octave.
- From our thumb on C to our little finger on C:
- Notes: G, F, E, D, C, C, A
- With the last line.
Entire A Section Rhythm
From the top (1, 2):
- E, D, C, G, F, E
- The line (if you like singing along in your head):
Missed the Saturday Dance
Heard they crowded the floor
Couldn't bear it without you
Chromatic Section
Now it gets nice with a few jazzy chromatics:
- E, F, F sharp, G, C, E flat, E, C
Repetition:
Don't get around much anymore
- Again: E, F, F sharp, G, C, E flat, E, C
Finger Placement for Chromatics
- Third finger on E
- Fourth finger on F
- Fourth finger up to F sharp
- Little finger on G
- Thumb on C
- Third finger on E flat
- Third finger down to E
- Thumb on C
Tempo
At tempo, that's:
Don't get around much anymore
Complete A Section
So, the whole A section:
Missed the Saturday dance.
Missed the Saturday dance.
- Again (1, 2, 3, 4):
One miss.
And that's the A section, the right hand complete.
About the instructor

Den Titel des UK Piano Man haben lange Elton John, Jools Holland und Jamie Cullum getragen. In den vergangenen fünf Jahrzehnten kam ihm sonst niemand auch nur ansatzweise nahe – bis jetzt! Frisch von seiner ausverkauften Tour "Let The Good Times Roll" hat Tom Seals – "möglicherweise schlicht die Zukunft von Jazz und Blues" – die Welt in den Fingerspitzen. Sein virtuoses Solospiel, seine hervorragenden Improvisationsfähigkeiten und seine unverwechselbare Stimme haben führende Branchengrößen dazu bewogen, ihn als besten Boogie-Woogie- und Blues-Pianisten und -Sänger Großbritanniens zu feiern. Noch Mitte zwanzig, hat Seals bereits ausverkaufte Shows rund um den Globus gespielt, darunter Londons legendäres Ronnie Scott's, ein umwerfender Auftritt im Birdland Jazz Club am Broadway in New York und Arbeiten an der Seite von Jools Holland. Bemerkenswerte Auftritte: 'Gregory Porter & Friends' beim Cheltenham Jazz Festival Jools Hollands 'Boogie Woogie & Blues Spectacular' Birdland Jazz Club, New York City British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace In seinem Kurs lüftet Tom die Geheimnisse hinter seinem Spiel – er zeigt dir, wie du Standards am Klavier zum Swingen bringst, authentische Boogie-Woogie- und Blueslinien aufbaust und die Freiheit zum Improvisieren findest –, damit du selbst zum ultimativen Piano Man wirst. Die vollständige Biografie von Tom findest du unter www.tomseals.co.uk. read more




