Der ‘A’-Teil

Tom Seals
Tom Seals

Lesson time: (3min 36sec)

Tom Seals zerlegt den ‘A’-Teil von Ray Charles' ‘Hallelujah I Love Her So’ am Klavier - die Akkorde, Umkehrungen und einen 2-5-1-Turnaround.

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This lesson is part of the course Werde der ultimative „Piano Man"
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Lesson transcript:

Lesson: A Section in G

Introduction

So let's start with the A section. Of course, we're in the key of G. So just a simple G chord to start with.

Chord Breakdown

  • Now, it's a G over B.
    • This means:
      • Right hand is G
      • Left hand is a B.
  • That's it in the most simplest of forms.

First Bar

The first bar we've got:

"Let me tell you about a girl, C that I know, D7."

You'll see, like we were doing before, looking at an inversion.

  • D7: We're moving the C at the top.
  • We're going to move it down to the bottom just so it's a bit more comfortable for our hands to play.

First Line

So this first line is as simple as this:

"Let me tell you about a girl that I know and again, she's my baby, she lives next door."

Now there's a stab.

Creating Dramatic Effect

This stab, in my mind, is how we can use the piano to create a real dramatic effect:

  • Stab on the G.
  • So we're gonna hit it nice and sharp to C.

Next Chord

The next chord is this:

  • We're going to have a C sharp in the left hand.
  • Now, this is A again, a nice inversion:
    • G in the thumb
    • Second finger on the B flat
    • Third finger on the C sharp
    • Little finger on the E.

Back to the G.

Progression

A D over F sharp:

  • Now again, that means:
    • D in the right hand
    • F sharp in the left hand.

It's E minor 7.

Turnaround

Then, "Hallelujah, I love her so" is a little trick, a little turnaround that we use, which is called a 2, 5, 1.

  • Now, 2, 5, 1 is the root note.

  • So we're in the key of G.

  • The one is the G, which makes the two the second chord of G.

  • If one is G, two is A because it's the next note in the chord.

    • So the two is always A minor seven.
  • Okay? So if we think:

    • 2 minor seven, which would mean A minor seven.

Sequence

So, A minor seven to the five, which is always A major seven.

  • The fifth chord in the scale of G:
    • G, A, B, C, D.

Of course, this becomes the D seventh.

  • D7 back to G, which is one.

Familiarity

That V I is so familiar to the ear; it feels comfortable, it feels safe. And we know we've ended that sequence.

  • So a 2, 5, 1 in this case would be A minor 7, D7 back to G.

Play Along

Okay, so play along with that.

  • Have a look at the A section.

  • I'll play it for you now at tempo in the most simple form and then we can look at how we can develop it.

  • C back to the G 2, 5, 1.

Conclusion

So that's the A section. Now let's move on and have a look at how we can make this bluesy and make it your own!

About the instructor

Tom Seals
Tom Seals

Den Titel des UK Piano Man haben lange Elton John, Jools Holland und Jamie Cullum getragen. In den vergangenen fünf Jahrzehnten kam ihm sonst niemand auch nur ansatzweise nahe – bis jetzt! Frisch von seiner ausverkauften Tour "Let The Good Times Roll" hat Tom Seals – "möglicherweise schlicht die Zukunft von Jazz und Blues" – die Welt in den Fingerspitzen. Sein virtuoses Solospiel, seine hervorragenden Improvisationsfähigkeiten und seine unverwechselbare Stimme haben führende Branchengrößen dazu bewogen, ihn als besten Boogie-Woogie- und Blues-Pianisten und -Sänger Großbritanniens zu feiern. Noch Mitte zwanzig, hat Seals bereits ausverkaufte Shows rund um den Globus gespielt, darunter Londons legendäres Ronnie Scott's, ein umwerfender Auftritt im Birdland Jazz Club am Broadway in New York und Arbeiten an der Seite von Jools Holland. Bemerkenswerte Auftritte: 'Gregory Porter & Friends' beim Cheltenham Jazz Festival Jools Hollands 'Boogie Woogie & Blues Spectacular' Birdland Jazz Club, New York City British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace In seinem Kurs lüftet Tom die Geheimnisse hinter seinem Spiel – er zeigt dir, wie du Standards am Klavier zum Swingen bringst, authentische Boogie-Woogie- und Blueslinien aufbaust und die Freiheit zum Improvisieren findest –, damit du selbst zum ultimativen Piano Man wirst. Die vollständige Biografie von Tom findest du unter www.tomseals.co.uk. read more

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