Selbstvertrauen beim Solieren aufbauen
Lesson time: (3min 5sec)
Tom zeigt, wie du mit Solo-Ideen beginnst, indem du dich von der Melodielinie inspirieren lässt.
Course preview
This lesson is part of the course Werde der ultimative „Piano Man"
Watch a preview of the full course below.
Lesson transcript:
Improvisation Confidence in Music
People often say to me, "How do you feel so confident to go on stage and improvise?"
You go on stage with no idea what you're going to play. I really enjoy that because it allows me to express my creativity and what I'm feeling in that moment.
Starting Simple
Now, if you haven't got a lot of confidence with it to start with, start simple.
- We know the melody.
- Take the melody; it's only four notes, but you can have some fun with that.
Changing the Rhythm
The most obvious thing to do is:
- Don't even change the notes.
- Just change the rhythm.
For example:
"Some folks like to get away, take a holiday from the neighborhood."
Obviously, if you were singing it, it would sound a bit disjointed, but if you're soloing, you're not going to be singing it, you're just going to be playing.
Advancing the Melody
I'll just play some stuff in the right hand and watch how I advance the melody.
- I'll put it on a loop.
- I'll keep it quite similar to the original.
- Then by the end, let's see where it goes.
And again and again.
The little arpeggios that I'm using to connect one note to the other are simply:
- The arpeggios of the chord.
Once you've got your head around the chords we're playing, you can mix those chords with:
- Some blues scales
- The pentatonic scales
You can just come up with your own thing.
Embrace Improvisation
The thing to remember is:
"It can't be wrong because you're improvising. It's what you're feeling right there."
You can just tell people that's what you're meant to do anyway because that's what I do.
You're only ever:
"Half a note away from a right note."
So, if you hit a note and it doesn't sound quite right, just move it up or down a semitone, and I promise you'll get there in the end.
Have Fun!
For one last time, I'm going to start quite simple and then let's see where it ends up.
Have fun with this!
- Take your own spin.
- Make it jazzy.
- Make it bluesy.
And you too can have your own version of the incredible New York State of Mind!
About the instructor

Den Titel des UK Piano Man haben lange Elton John, Jools Holland und Jamie Cullum getragen. In den vergangenen fünf Jahrzehnten kam ihm sonst niemand auch nur ansatzweise nahe – bis jetzt! Frisch von seiner ausverkauften Tour "Let The Good Times Roll" hat Tom Seals – "möglicherweise schlicht die Zukunft von Jazz und Blues" – die Welt in den Fingerspitzen. Sein virtuoses Solospiel, seine hervorragenden Improvisationsfähigkeiten und seine unverwechselbare Stimme haben führende Branchengrößen dazu bewogen, ihn als besten Boogie-Woogie- und Blues-Pianisten und -Sänger Großbritanniens zu feiern. Noch Mitte zwanzig, hat Seals bereits ausverkaufte Shows rund um den Globus gespielt, darunter Londons legendäres Ronnie Scott's, ein umwerfender Auftritt im Birdland Jazz Club am Broadway in New York und Arbeiten an der Seite von Jools Holland. Bemerkenswerte Auftritte: 'Gregory Porter & Friends' beim Cheltenham Jazz Festival Jools Hollands 'Boogie Woogie & Blues Spectacular' Birdland Jazz Club, New York City British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace In seinem Kurs lüftet Tom die Geheimnisse hinter seinem Spiel – er zeigt dir, wie du Standards am Klavier zum Swingen bringst, authentische Boogie-Woogie- und Blueslinien aufbaust und die Freiheit zum Improvisieren findest –, damit du selbst zum ultimativen Piano Man wirst. Die vollständige Biografie von Tom findest du unter www.tomseals.co.uk. read more




