Rufus
Lesson time: (7min 19sec)
In dieser Lektion bringt dir Laurence Juber bei, sein Stück Rufus auf der Akustikgitarre zu spielen.
Course preview
This lesson is part of the course Wooden Horses
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Key Changes and Riffs
Okay, Rufus, I'm in DADGAD. This piece is actually in a couple of keys:
- Starts in E minor
- Ends up in C
Opening Voicing
The opening features a very rich E minor voicing:
- Voicing: Two open strings (E minor 9)
- Movement: Moves up one fret to the F6sus2
- Transition: The F6 slides back to the third fret version of an F.
Riff and Rhythm
Now we've got the riff, which I'm muting slightly.
- I'm also doing a little bit of a light backbeat just with my palm.
- Technique: It's really more than the palm; it's almost the weight of the fist.
This creates a combination of:
- Palm mute
- Groove backbeat
When the melody kicks in at 13, you can still hear the bass line underneath.
"Let me play that again."
Key Change
This is where I change key.
- New Chord: D minor 9
- Technique: Everything is played across the strings.
- Next Chord: E minor 7 flat 5
Notice that:
- There's a little inner voice happening.
- It then returns to the riff.
Chorus Dynamics
Observe how, when I play that chorus, the combination of:
- Staccato chords
- Sustained chords
- Backbeat slaps
gives the piece its groove and momentum.
Solo Section
The second time around the chorus repeats and goes into a riff section for solos.
Key Components to Note:
- Chords: E minor moving to an F
- Modality: This is really kind of a Phrygian mode with the E; the F being the minor second of the scale.
Additionally, I've got:
- The bluesy flat 5 (B flat on the E)
- When I go up to the F, I keep that bluesiness in there.
Remember:
- The B is also part of the E minor scale, so it remains within the E minor modality.
I'm sticking pretty close to this shape.
- Maybe I'll go to some octaves or something like that, but the key point is to watch out for how everything can happen in this position.
Conclusion
You don't need to go up the neck to play over these particular chords.
- Last time around: It just walks down to the D, goes back to the chorus, then to the sign, and plays through.
To bring it all together:
- After you've played the solo section, play through the melody once, then just the first two bars of the melody before you end it.
"And that's Rufus."
About the instructor

Laurence Juber wurde zunächst als Leadgitarrist in Paul McCartneys Band Wings bekannt. Seither hat er sich eine Karriere als Fingerstyle-Gitarrist, Komponist und Arrangeur aufgebaut und arbeitet vorwiegend in der DADGAD-Stimmung, die ihm den Beinamen 'the Duke of DADGAD' einbrachte.Von den Lesern des Fingerstyle Guitar Magazine wurde er zum Gitarristen des Jahres gewählt und vom Magazin Acoustic Guitar zu den besten Gitarristen gezählt – dazu kommen eine lange Liste von Soloalben und Welttourneen.In seinen Kursen vermittelt er seine Fingerstyle-Technik und die DADGAD-Stimmung, für die er bekannt ist, wie man Melodie, Harmonie und Bass für die Solo-Gitarre zusammenführt, und die Stücke – wie sein charakteristisches 'Wooden Horses' –, die all das vereinen. read more




