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Lesson time: (13min 16sec)
Marcus Bonfanti bringt dir das Hybrid Picking bei - das Plektrum halten, während die freien Finger Linien hinzufügen - anhand seines Arrangements von Mississippi John Hurts 'Sliding Delta'.
This lesson is part of the course Finde deine eigene Stimme im Blues
Watch this lesson for free below.
Lesson transcript:
Hi, it's Marcus Bonfanti here, and thanks for looking at this course, which is all about hybrid picking.
Hybrid picking is not an essential technique, but for me, especially when playing acoustic blues, it's very necessary. The technique involves:
This combination gives you the ability to:
We'll center this lesson around an arrangement of mine of a song by Mississippi John Hurt called Sliding Delta. This piece will serve as a way of using hybrid picking to play melody and chords at the same time, creating a nice instrumental tune or backing for singing.
The song is a blues, but it's not a 12-bar blues. We'll change the key to E, involving these chords:
The melody line of the tune should sound like this:
(Insert melody line here)
Now, I'll put the two together and explain a bit about what the right hand is doing to achieve this.
Here's a quick overview of the intro.
The beauty of hybrid picking is that it allows you to pick out a bass line and chords while playing the melody simultaneously. This technique is great for:
With your technique, the plectrum portion of your hand does the following:
Fingers' Role: While you might forget about the little finger for now, the other fingers take care of the melody line.
Let's play it slowly to highlight how the right hand operates.
It's important to keep the wrist on the right hand loose. The fingers will be working hard, so:
Adding a few skips can enhance your playing, creating a lovely technique that we discussed with raking back on certain chords.
Practice Tip:
Hybrid picking is a core skill that opens up many possibilities in your playing.
To tidy this up, I'll play Sliding Delta one more time, a bit quicker, to show how it all fits together.
(Plays example)
Now, a quick overview of how hybrid picking can work within solos, particularly focusing on double stops.
A double stop involves playing two notes at once, typically on the G and B strings. Chuck Berry is a fantastic example of this technique in action.
This combination provides a nice, rhythmic sound, enhancing your playing.
Try taking licks you already know and experiment with combining:
That's an introduction to hybrid picking. If you're interested in more techniques or lessons, feel free to get in touch with me through the website. There will be more on this in future courses.
I hope you find this information helpful!

Marcus Bonfanti hat mit Ten Years After, Ginger Baker, Van Morrison, Ronnie Wood, David Gilmour und Nick Mason von Pink Floyd, Phil Manzanera von Roxy Music, Shuggie Otis und PP Arnold gearbeitet. Als seit über fünfzehn Jahren tätiger Berufsmusiker ist er um die Welt getourt und hat in vielen Genres aufgenommen, doch der Blues ist es, wo sein Herz schlägt und was er am besten kann. Er hat drei Soloalben veröffentlicht - allesamt zu den Alben des Jahres des Magazins Classic Rock gekürt - und ist mit Robert Cray, Chuck Berry, John Fogerty und Beth Hart getourt, mit Auftritten bei Festivals wie dem SXSW und der Legendary Rhythm & Blues Cruise. Nichts davon wäre möglich gewesen, ohne die Stunden zu investieren, um das Handwerk zu erlernen - und genau dafür sind seine Kurse da. Ob du eine Karriere in der Musik anstrebst oder einfach den Blues liebst und ihn besser spielen möchtest, Marcus ist hier, um dir zu helfen. read more